Earticle

초록

영어

The paper aims to analyze Oscar Wilde’s and Kim Dong-In’s aestheticism and their works, The Picture of Dorian Gray and Crazy Painter through Jacques Lacan’s Psychoanalytic theory of desire. Wilde is against Victorian vulgar materialism and moralism and Kim Dong-In is against Lee Kwang-Soo’s enlightenment by using the style of aestheticism. Main characters experience ‘the mirror stage’ in that they can’t percept the object as a human or subject who have personality and subjectivity. They are eager for their desire strongly in their society of restraint. In the case of The Picture of Dorian Gray, Dorian strongly desires youth and beauty. In the case of Crazy Painter, painter desires absolute beauty. However, as soon as they get ‘the object’ they desire, they are deprived and come to feel absence and lack. They also resist symbolic society by pursuing their intense and innocent desire in common. In the point of writers’ desire for pursuing absolute beauty in art, their intentions are similar. However, while Wilde divides real world and art’s world into a different one, Dong-In treats real world and art’s world as the same one. Furthermore, Wilde thinks that art’s world is not only superior to real world but also leads real world.

목차

I. 서론
 II. 본론
  1. 와일드와 김동인의 유미주의
  2. 정신분석적 관점
 III. 결론
 Works Cited
 Abstract

키워드

저자

• 강준수 [ Kang, Jun-soo | 안양대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810