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‘권력투쟁’과 ‘주체성’으로 살펴본 『귀향』
‘Struggles for Power’ and ‘Subjectivity’ in The Homecoming

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  • 발행기관
    한국중앙영어영문학회 바로가기
  • 간행물
    영어영문학연구 KCI 등재 바로가기
  • 통권
    제55권 3호 (2013.09)바로가기
  • 페이지
    pp.385-415
  • 저자
    윤정용
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A293052

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원문정보

초록

영어
The characters in Pinter’s works play games with words not only to face the reality of life, but also to protect themselves from others. In The Homecoming, the main characters use abusive words and sometimes fight against each other to secure their own field. Especially, the male characters fight for hegemony even before Teddy coming back home with his wife, Ruth. They fabricate the pasts and idealize themselves to vie for power. But they all give in to Ruth’s power, including Teddy. Ruth’s intuitive words, which are well contrasted with Teddy’s metaphysical words, elicit immediate responses from her opponents. Besides, The Homecoming illustrates the violent force that abusive words bring about and the negative effect that distorted words cause. The Homecoming starts with family rows, specifically a quarrel between father and son in a ‘motherless’ home. Their conflict intensifies on the ground of the breakdown and change of family structure, which occurs in the motherless home. In a traditional home, a mother internalizes family ideology and teaches her children patriarchal disciplines. But if the mother is not in the home or refuses to accept the role as a discipliner, her children don’t have any chance to acquire patriarchal norms. In The Homecoming, Jessie is not obedient to patriarchal rules, but she has not given up being a mother. In short, in The Homecoming, Jessie exists as an “absent presence.” Ruth finally comes to substitute for Jessie. In the past, female bodies and their sexual desire were just a means to satisfy male sexual desire. But now female bodies and their sexual desire are dominant ideologies, and sometiems control those of male. In The Homecoming, Ruth refuses to accept imposed feminity and finds her new identity as an independent woman. She becomes a representative ‘Pinteresque’ female character who opposes the oppressive marriage institution and patriarchy, and tries to pursue her true life. In conclusion, Ruth is not a passive female character who necessarily follows outmoded traditions, but a positive female character who is willing to sacrifice everything for whatever she wants. In short, Ruth is one of Pinter’s most fully developed idealized female characters.

목차

I. 서론
 II. 본론
  1. 가부장적 권력투쟁
  2. 주체성 확립을 위한 권력투쟁
  3. 성정치학적 권력투쟁
  4. 주도권 쟁취를 위한 권력투쟁
 III. 결론
 Works Cited
 Abstract

저자

  • 윤정용 [ Yoon Jeongyong | 고려대학교 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
  • 설립연도
    1968
  • 분야
    인문학>영어와문학
  • 소개
    본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며, 또한 회원 상호간의 친목을 도모함을 목적으로 한다. 1. 학회지 발간 2. 연구 발표회, 강연회, 공동연구 3. 영미어문학 관련 도서출판 4. 영미어문학 관계 도서 및 자료의 모집 및 비치 5. 기타 본회의 목적 달성에 필요한 사업

간행물

  • 간행물명
    영어영문학연구 [The Jungang Journal of English Language and Literature]
  • 간기
    계간
  • pISSN
    1598-3293
  • 수록기간
    1968~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 840 DDC 810

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