The genre George Bernard Shaw took the first step into as a man of letters is not the play but the novel. Shaw’s five novels have not attracted popular attention, but they already conceived a variety of ideas for many dramas which won him fame as a playwright. However, the domestic studies about Shaw’s novels are too poor, especially considering his literary reputation. As a result, I will introduce and analyze An Unsocial Socialist, expecting more advanced studies regarding his novels forward. Sidney Trefusis, the hero, who is a snobbish socialist dyed with vulgar Marxism as well as a member of the contemporary English ruling class, severely criticizes his father, who grew from a petty merchant to a mammoth capitalist, and his maternal grandfather, who succeeded in being in collusion with capitalists as a peer, based on the theory of exploitation of surplus value. While the surplus value in vulgar Marxism is generally the theoretical base of the revolution of militant class struggles, Trefusis opposes the violent struggles and insists on the dissemination of socialism by means of propaganda and organization. His moderate strategy is seen as a germ of Fabianism, which Shaw decides to devote himself to later. Trefusis is confronted with one problem to figure out how much he should pay his hired man for a fair wage and another problem with the value of artistic genius which is likely to differ from that of ordinary commodities. Probably Trefusis does not know that utility is important in deciding upon the value as well as the quantity of labor is. Shaw describes Trefusis as a snob who sticks to the mechanical cause of vulgar socialism while ignoring human desires and nature. Trefusis disparages fine art as a simple hand-skill but highly appreciates photography, for he aims to reveal the miserable realities of capitalism by taking advantage of photos. In An Unsocial Socialist, the romantic traits of the remaining feudal culture and the anti-romantic elements reflecting the capitalistic realities appear to be mixed, particularly as for love and marriage. Meanwhile, Trefusis tends to expose his patriarchal attitude, regarding ‘unsocial’ women just as the objects of edification. In addition, meticulous readers can notice that this novel includes a faint root of Shavian eugenics and life force, the Shavian New Woman who is not active for social reform, and the background that Show turns his genre into the drama from the novel.
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]