베트남한자음 牙音系의 반영양상 - 한일한자음과의 비교를 중심으로 -
Reflects of Velar in Sino-Vietnamese : Comparative Study with Sino-Korean and Sino-Japanese 베트남한자음 아음계의 반영양상 - 한일한자음과의 비교를 중심으로 -
This paper discusses on the origin of Sino-Vietnamese through reflects of velar mainly Comparative Study with Sino-Korean and Sino-Japanese, and the following conclusions were drawn. I decided that velar system of Sino-Vietnamese originated by late Southern and Northern Dynasties sounds of 5th century and Qieyun sounds of 7th century. A main key of origin is a changing of voiced muddy sounds to aspirated sounds and a changing of nasal to non-nasal stops in Qin sounds of 8th century. Voiced muddy sounds changed voiceless aspirated secondarily-clear sounds and nasal stops clear-muddy sounds changed non-nasal stops in Qin sounds of 8th century. Initial-g changed kh in Qin sounds of 8th century. but only 5 characters of 6.8% reflected kh and 65 characters of 84.9% reflected k. It means that reflects of upto Qieyun sounds of 7th century. Initial-ng changed non-nasal stops in Qin sounds of 8th century. But 47 characters of 74.6% reflected ng. It means that Sino-Vietnamese reflected upto Qieyun sounds of 7th century. And velar in the Sino-Vietnamese contained Qin sounds of 8th century and modern sounds. In conclusion, Sino-Vietnamese originated by late Southern and Northern Dynasties sounds of 5th century and Qieyun sounds of 7th century, and effected Qin sounds of 8th century and modern sounds. From now on, through analysis of another initials, I think that origin of Sino-Vietnamese can be cleared.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.