The goals of this study is to examine and compare the Seal- characters engraved on coins from the Qin and Han Dynasties, and ones from the period of Wang Mang. Particularly, this study identifies distinct characteristics of each of these character forms, reveals differences among them, and discuss reasons why such differences rose. The most common in those periods is Seal-Characters. About 40 different characters have been identified on the coins unearthed to date. The following lists the characteristics of the character forms and examples. 1. Same characters but different in writing styles and structures: 半、兩、十、大、千、壯、幼、五 2. Missing characters: 十、半、百、兩、泉 3. Left- or right-shifted radicals: 銖、貨 4. This figures are upside downed characters: 半、兩 5. The official script and the regular script neutralized to similar forms: 平、匱、寅 6. Forms similar to the Warring States script: 千、黃、兩、中 7. Forms with more complexity in strokes than Shuowenjiezi: 十、大 8. Forms with simpler strokes than Shuowenjiezi: 直、泉、寶 Finally, four major reasons are discussed that affected the form of Seal-Characters on the Coinage. 1. Different print formats and casting molds were used. 2. Private casting money was popular during those periods 3. The official script affected the form. 4. Because traditions were highly upheld, the shape of coins and the characters on them did not diverge from the Warring States script.
목차
Ⅰ. 서론 Ⅱ. 秦漢화폐에 새겨진 篆形구조의 특수 현상 1) 筆勢와 구조가 다른 例 2) 缺刻의 例 3) 反文의 例 4) 倒文의 例 5) 隸書, 楷書와 비슷한 자형의 例 6) 戰國문자와 비슷한 자형의 例 7) ≪說文≫보다 繁化한 例 8) ≪說文≫보다 簡化한 例 Ⅲ. 화폐의 篆形에 영향을 준 요소 Ⅳ. 결론 參考文獻 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.