Earticle

초록

영어

Background In the development of technology, the surface of the representation of the graphic design is by repeating the process of fundamental change. Contemporary graphic design, which developed into international typography style in the grid norms, which is a product of modernism, began to appear in the present. Thus, if to dream of a departure from the traditional norm called grid, the struggle has been exposed in a variety of representations. As a result, the collapse of the form by the deconstructive expression and de grid and post-modern remarkably appeared. Methods Fella, as one of the representative person who represents these forms well strived to the study of the establishment of design identity, which is based on a result creation and aesthetics of deconstructive expression. Therefore, the researcher, based on the French modern philosophy aesthetics, considers the graph algorithms of Fella, which are pulling the whole world of graphic design community and line of graphic design education, examining the impact of the modern graphic design. Fella's graphics forms have been the basis of the deconstructive aesthetics principle. And, the expression of his consciousness imagination has aroused a new homework to a lot of designers. Result More than to research freely and resist, this is to the designers, is a matrix to re-constructed for the future-oriented role of design. Drifting from the edge of the current era to the era of post-modernism and regulations flows into uncertain times, but looking at the aesthetic aspects of graphic design also shows the various aspects represented as one of the genre. Conclusion In this study, looking at the flow of the modern Graphism and the future of graphic design in the development of graphic design through the consciousness imagination of Fella, through more than the study of the presentation aspect, the primary objective is to link a comprehensive aspect.

목차

Abstract
 1. Introduction
  1.1. Research Background and Aim
  1.2. Content's Composition and Research Method
 2. Literature Review of Contemporary Design
  2.1. The Change and the Flow of Graphic Design
  2.2. Unfold of Deconstructive and Graphic Design
 3. The Use of Subconscious Imagination
  3.1. Defamilarization - Deconstructive Expression
  3.2. The Characteristics of Deconstructive Work's Followed Aesthetics
 4. The Analysis of the Aesthetic of Contemporary Graphic Design
  4.1. Rebellion and Radicalism of Tradition
  4.2. Development and Expansion of Communication Technologies
 5. Conclusions
 References

키워드

저자

• 홍동식 [ Hong, Dongsik | 부경대학교 시각디자인학과 교수 ] 주저자
• 김형재 [ Kim, Hyoung-Jae | 영동대학교 유아교육과 교수 ] 공동저자
• 이희승 [ Lee, Hee-Seung | 동명대학교 신문방송학과 교수 ] 교신저자

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국디자인포럼 [Design Forum]

• 간기

  계간

• pISSN

  2233-9205

• 수록기간

  1996~2017

• 십진분류

  KDC 658 DDC 740