Shiga Naoya tried to eat well, wear warmly and live in comfort. He was extremelyinterested in essential life. In his early works, there are no direct expressions onclothes, foods and spaces of living, so we can just guess what his thoughts andfeelings are. ‘Up to Abashiri’ and ‘The gray moon’ show us changes of status on each character,and we can catch the changes by their clothes. In ‘up to Abashiri’, the mom withtwo children puts on beautiful kimono, but it is old fashioned and not suitable forthe season. ‘The gray moon’ is written directly after the world warⅡ, so the boywho is dying of hunger is wearing rags. In ‘The gods of boy’ and ‘A girl kidnapping story’, the food represents maincharacter’s desire. In ‘The gods of boy’, the boy wants to eat some sushi, but hecannot afford to the expensive food. On the other hands, the main character of ‘Agirl kidnapping story’ has precious foods. But the food itself cannot make theirproblems solved at all, so it is described as the symbol of desire. ‘A Dark Night’s Passing’ and ‘A life scene’ have something in common withliving space. Kyoto is based in both novels and the local color is well brought outin these stories. The hero characters move around a lot, but cannot familiar withthe local people soon. We can fully find out that Shiga’s writings reflect his love of humanity andinterests in essential life of food, clothes, and lodging.
목차
1. 들어가기 2. 신분의 변화를 보여주는 ‘의복(衣)’ 3. 욕망의 표현으로 나타난 ‘음식(食)’ 4. 지방색을 보여주는 ‘주거(住)’공간 5. 나가기 [參考文獻]
한국일본언어문화학회 [Japanese Language & Culture Association of Korea]
설립연도
2001
분야
인문학>일본어와문학
소개
본 학회는 일본어학 및 일본문학은 물론, 일본의 정치, 경제, 문화, 사회 등의 일본학 전반에 걸친 연구 및 일본의 언어, 문화를 매체로 한 한국과의 비교 연구를 대상으로 하고 있다. 본 학회는 회원들에게 연구 발표 및 정보 교환의 기회를 부여하고 나아가 한국에서의 바람직한 일본 연구 자세를 확립하는 것을 주된 목표로 하고 있다.