Earticle

초록

영어

The Aesthetics of Passing-by (surechigai) : From Ibaragi Tomoo to IbarakiTomooShibusawa Tatsuhiko (1928-1987) is known as his profound knowledge of rarebooks and uncommon literary works. He wrote Boronji in his later years, whichappeared in literary journal Bungei (November 1982), and was later included inNemuri-hime(1983). The work is based on the story Ibaragi Tomoo which iscontained in Yasokidan (Ishikawa Kousai, Touyoudou 1889-1894), the mysterynovels collection compiled in the Meiji era. Shibusawa Tatsuhiko explains in theend of Boronji as follows: “I changed Ibaragi to Ibaraki, while keeping its story,but the guiding concept and details of the story became different.”Based upon and having started from the original text, Shibusawa wrote a creativefantasy world. How did he refer to and then transform the original text, with regardto the plot development and the characters in Boronji? By examining the image ofthe protagonist Ibaraki Tomoo, and the role of gods and Buddha in the story, I willinvestigate how Shibusawa created his own narrative world.

목차

1. はじめに
 2. ｢茨城智雄｣から｢茨木智雄｣へ
 3. 恋物語の解体
 4. 消去される神仏の救済力
 5. すれ違いの美学
 6. 終わりに
 [參考文獻]
 

키워드

저자

• 林淑丹 [ 임숙단 | 台湾⋅文藻外国語学院大学日本語学科 准教授, 日本近現代文学 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495