Earticle

초록

영어

We can see serious life style of a lower class such as the folks and the humble in genre paintings that were painted by Hong-do Kim and Yun-bok Shin who were remarkable artists of Chosun. We can recognize the women's hair styles of a lower class through the features of tenants, artisans, and merchants in Hong-do Kim's paintings. Like wise, we can imagine the women's hair styles of a higher class who imitated those of 'Kie-sangs' through the features of Kie-sangs who were illustrated by Shin-yunbok Common hair styles in their paintings were 'Unzen-muri', 'Zokkjin-muri', 'Taen-muri', and 'Tre-muri', 'Unzen-muri' for young and married women who liked to follow the vogue, 'Zokkjin-muri' for old and lower classified women, 'Taen-muri' which was added by 'Darea' for fashionable and rich 'Kiesangs'(It is supposed to be popular for married women of 'Yang-bad who were kinds of higher class.), and 'Taen-muri' for unmarried women. In the case of 'headgear' which were sorts of items of hair-cordinators, 'Jang-ot' and 'Sgae-chima' were used regardless of class or wealth. Also, we can feel affection and love of laster Chosun's women for hair styles by 'Chak' and 'Jounrno' that were popular for a short time.

목차

ABSTRACT
 I. 서 론
 II. 이론적 개념
  1. 회화의 이론적 개념
  2. 풍속화의 개념
 III. 조선 후기 풍속화 형성의 시대적 배경
 IV. 조선 후기 풍속화에 나타난 두식
  1. 김홍도 작품
  2. 신윤복 작품
  3. 김홍도와 신윤복 작품에서의 여성 두식 비교
 V. 결 론
 참고문헌

저자

• 김마리 [ Ma-ri, Kim | 대경대학 뷰티디자인과 ]
• 류경자 [ Kyung-ja, Ryu | 대경대학 뷰티디자인과 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국모발학회지 [韓國毛髮學會紙]

• 간기

  반년간

• pISSN

  1738-3463

• 수록기간

  2004~2005

• 십진분류

  KDC 593 DDC 646