Within the interaction between economic and cultural factors by capitalist globalisation in recent decades, it is necessary to provide critical insights into how educational experiences and identities are enacted, articulated in a society. This research collects and analyses South Korean art educators’ self-narratives of art, culture and learning who have experienced the dynamic changes of the pedagogies and curriculum policies in their different social positions in the world they inhabit in art education fields. The hermeneutic analysis of each self-narrative provides a discursive practice of cultural identity formed by art teaching experiences. The processes, which it (each experience) happens in the social structures and the specific cultural contexts of South Korea within postcolonial world, reveal how particular meanings of art practice and learning have been produced through the systematic structures, such as social class relations, the degree of centralisation of political authority, or the contemporary economic needs. In discussing art, culture and identity formation with new perspectives on existing knowledge, human abilities and learning, the complex and dynamic processes of identity formation implicates how we can consider the way of understanding our ‘being’ in a flow of the meanings of ‘art practice’, ‘tradition’ and ‘identity’. Through the critical hermeneutic inquiry of the self-narratives, this research provides a direction toward critical engagement of teaching art in dynamic and complex cultural interaction of the globalising world.
목차
Abstract Introduction Research Methodology Self-narrative Critical hermeneutic analysis of identity formation Contemporary Landscape of South Korean School Art Practices The Narratives Jin-Cheol Gang’s narrative Sun-Hee Kim’s narrative Sung-Hun Jeong’s narrative Eun-Seo Lee’s narrative Discussions and Implications References
한국국제미술교육학회 [Korean Society for Education through Art]
설립연도
2000
분야
예술체육>미술
소개
한국의 미술교육학계에는 과거 일본을 통해 왜곡되어 들어온 서양의 미술교육 이론이 정설로 자리잡힌 상태에서 서양의 새로운 미술교육 이론이 혼합되는 양상이 지속되고 있다. 그래서 효율적인 실제의 개발 또한 지극히 어려운 답보 상태에 머물러 있다. 따라서 미술교육의 학문적 발전을 이룩하기 위해서는 선진 세계의 이론을 정확하게 받아들여 이를 통해 한국의 실정에 맞게 변용해야 할 것이라는 판단하에 미술교육의 학문적 발전을 도모하기 위해 InSEA(International Society for Education through Art)의 한국지회를 설립하게되었다. InSEA는 UNESCO의 협력기구로 1954년 결성되어 현재 80여개국이 참여하고 있는 범세계적인 미술교육 단체로 미국 지회인 USSEA와 캐나다 지회인 CSEA를 두고 있다.