日中戦争下における帝国日本の検閲システムの揺れを めぐってー佐藤春夫の「律儀者」を事例としてー
On Vacillation in censorship system of Imperial Japan under the Japanese-Chinese War: the Case study of Sato Haruo’s “Richigimono” 중일전쟁기 제국일본의 검열시스템의 균열에 대하여-사토하루오의 ‘리치기모노’를 중심으로
In this paper, I researched on censorship system in imperial Japan as a case study of Sato Haruo’s “Richigimono.” This work has never been included into Teihon Sato Haruo Zenshu, the latest edition of his complete works, but published in Keijo Nippo in three times in January 1938. In previous studies, Mizusawa Fujio found that its first appearance was in Domei Tsushin published by Domei Tshushinsha on December 20, 1937. However Mizusawa pointed out that “Richigimono” practically appeared in Kochi Shinbun published on January 7, 1938 in the same time of appearance in Keijo Nippo, because the Ministry of Home Affairs prohibited the sale of Domei Tshushin in January 1938. This paper examined the difference between publication in the interior of Japan and in the overseas territories, and the relationship of literature and censorship in the overseas territories. As a result of this study, it is found that this is a special case that the complete version of “Richigimono” was published in Keijo Nippo, because this work was banned in the interior Japan and the censorship in the overseas territory was generally more rigorous than in Japan. This conclusion is supported by the fact that there were regional differences in the number of prohibited papers rather than the differences between Japan and colonies, when the same author was appeared in plural local news papers including news papers published in overseas territories. Therefore, the number of seizure of “Richigimono” indicates loss of balance of censorship system between the interior Japan and the overseas territories. In conclusion, we can see vacillation in censorship system of imperial Japan under the Japanese-Chinese War through the case study of Sato Haruo’s “Richigimono.”
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.