Earticle

초록

영어

A labylinth of social problems in China has been objectively described with realistic narration and refined language to create a calm tone in the film, “A Touch of Sin”, a 2013 Chinese drama directed by Jia Zhangke. The whole procedure whereby the main character, Dahai descended into the world of violence, provided in detail, shed light on where the violence originates from. The film testifies to the fact that the lower class necessarily ends up turning toward violence when their human rights and dignities are abused. Without any gangster aesthetics or visual effects, director Jia succeeded in his business when he kept the tone level and calm and revealed the whole story about a violent crime. Had it not been for this film, the scandalous firearm murder case of ‘Hu Wenhai’, which happened this century, would have been plainly slipped from memory among Chinese people. The movie, finished filming in 2013, has been released in 41 countries worldwide, but has been banned from cinemas throughout China. The government, however, after redeliberation, decided to allow the film to play in China. Still Jia’s feature film debut, Xiao Wu, is banned by the government censor. The film simply tells that true progress and growth can be achieved when an individual, people, state or nation have the courage to face their own faults.

목차

Ⅰ. 序
 Ⅱ.日常经验化的现实主义叙事--对当今中国复杂社会现实的真实再现
 Ⅲ. 象征和隐喻——现实主义叙事手法中的主观表达
 Ⅳ. 结语
 参考文献
 논문초록

키워드

저자

• 朴云锡 [ 박운석 | 岭南大学校文科大学中国言语文化学科教授 ]
• 赵卫东 [ 조위동 | 中国北华大学国际教育交流学院副教授 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950