Zhao’s school is a genre of Henan Zhuizi. The thesis takes the masterpieces of Zhao’s Henan Zhuizi School, the old woman with double guns plundered the prison van, for example, to reveal the status of modern Henan Zhuizi. It will be elaborated in three aspects: the innovation of artistic form, the edutainment and the aesthetic features. In performance forms, influenced by modern culture thought, Zhao’s Henan Zhuizi School gave a fresh perspective toward the traditional repertoire. And it creates many new characters in the story and supplies the roles with more modern ideology, to meet the needs of modern audiences. In addition to this, after absorbing the singing styles of other Henan Zhuizi schools and sister opera dramas, it formed Zhao’s singing style and the performance for “stage”. The edutainment of Henan Zhuizi achieved by means of the artistic expression. Definitively speaking, portrayals of the characters in the play conducted the “invisible” inoculation to the audiences. The impromptu comic gestures and remarks of the funny character, “Shekou” (puzzle setting), “Jiekou” (puzzle solution), “Xiangua”(on-site playing) and other artistic expressions make people feel spirituous delight in watching the stage play. In aesthetic features, the plain language expressions and the happy ending pattern in Zhao’s Henan Zhuizi manifested the aesthetics for “vulgar”. Meanwhile, based on the pursuit of “Elegant people” spiritual, by the popular superficial art means, it express feelings, and convey the truth of life through a small story. It manifested the aesthetics for “elegant”.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.