This paper compared and reviewed Tanizaki Junichiro literature and Lee Sang literature with a focus on three topics of ‘complex’, ‘succubism’, and ‘longing for modernization’. As esthetic writer and surreal psychological writer, writer from the ruling country and writer from the ruled country, writer who lived long while earning favorable reviews by the literary world and writer who died young while being despised by the public, two writers are seen as writers from the remote worlds not to be compared with each other at first glance. However, the above three patterns shown in the works of two writers can be said to be the commonalities of their literature. First, ‘complex’ resulted from the appearance inferiority in the case of Tanizaki and was caused by gynophobia in childhood in the case of Lee Sang. Second, ‘succubism’ was associated with two writers’ common experience of maternity love of in childhood, that is, an Oedipus complex. And finally, in the case of ‘longing for modernization’, it was found that an Edo native Tanizaki and Lee Sang reflected the desire for modernization in their works in westernized Tokyo at that time and Gyeongseong in 1930s being capitalized during the Japanese colonial period, respectively.
목차
Ⅰ. 서론 Ⅱ. 본론 제1장. 콤플렉스의 문학 제2장. 스쿠비즘의 문학 제3장. 근대화에의 동경 Ⅳ. 결론 참고문헌 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.