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≪篆隸萬象名義≫ 자형연구 - 9개 편방을 중심으로
A Study on the Shape of Characters of ≪Zhuanliwanxiangmingyi≫ - 9 Radicals Oriented Research
≪전례만상명의≫ 자형연구 - 9개 편방을 중심으로

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제44집 (2015.09)바로가기
  • 페이지
    pp.197-229
  • 저자
    서재선
  • 언어
    중국어(CHI)
  • URL
    https://www.earticle.net/Article/A255493

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원문정보

초록

영어
≪Zhuanliwanxiangmingyi≫ is a book written by Konghai, an extremely influential Japanese Buddhist monk, when he returned to Japan after studying in Tang Dynasty of China. The ≪Zhuanliwanxiangmingyi≫ was written on the basis of ≪Yupian≫ or Chinese Dictionary with reference to several other Seal Scripts which were edited by GuYeWang in the period of Southern Dynasties. ≪Zhuanliwanxiangmingyi≫ is the first Chinese Dictionary, which contained the shape of characters of Seal Scripts and the Official Scripts in the period of Tang Dynasty. There are more than 1,000 Seal Characters ≪Zhuanliwanxiangmingyi≫. This research paper compared these Seal Characters with the shape of characters in ≪Shuowenjiezi≫ and has come to find that some of the radicals and characters had been changed through the historical processes. The 9 radicals which were selected among them are 口, 單, 行, 殳, 肙, 曹, 良, 門, 戈 and this research paper tried to find how their changes had been developed from carapacial characters to ≪Zhuanliwanxiangmingyi≫. This research first compared all of these characters with the shape of characters of caraparacial characters and epigraph in order to track their original shapes and meanings. For this purpose, this research paper has taken four stages: 1) researching the history of shapes of characters in the process of the change from carapacial characters to the characters of Zhanguo, from the characters of Zhanguo to small seal character, from small seal character to the simplified square style of writing Chinese characters, and finally from the simplified square style of writing Chinese characters to the square; 2) finding out the succeeded shapes of characters, 3) researching out the shapes of the characters the particular periods from which the succeeded shapes of characters came from, 4) finally researching out what the unusually changed shapes of the characters are. The Seal Characters of ≪Zhuanliwanxiangmingyi≫ had been influenced by the ones of ≪Shuowenjiezi≫ and also by the other books, and ≪Zhuanliwanxiangmingyi≫ had come to contain the Seal Characters which are not in ≪Shuowenjiezi≫. It was due to the influence of the simplified square style and the square in the characters in Tang Dynasty. Therefore, the Seal Characters which are not found in ≪Shuowenjiezi≫ are good references for us to study the variant letters.

목차

Ⅰ. 서론
 Ⅱ. ≪篆隷萬象名義≫자형 중 9개 篆文의 역대 자형의 변천 과정
 Ⅲ. 결론
 참고문헌
 논문초록

저자

  • 서재선 [ Seoh, Jae-Sun | KC대학교 외국어학부 중국어전공 조교수 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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