Earticle

초록

영어

Poetics of Yuan and Ming Dynasty(元明詩學) in China had important influence on Samdaing(三唐) Poets admiring Tang Poetry and their poeticstyle. They accepted the poeticproposition of attaching importance to the sound(聲韻) from Yang Shi-hong(楊士弘)’s Poems(唐音)and Li Dong-yang(李東陽).The anthologies of Tang Poetry such as PopularTang Poems, and corpuses of poets in the Tang Dynasty also promoted the acceptance of the Tang Poetry’s style. Because poems of the Middle and Late Tang Dynasty accounted for the majority in the anthologies of Tang Poetry, the style of Samdaing Poets’ works were close to them. Compared with, nearly contemporary, the Former and LatterSeven Masters(前後七子) of Ming Dynasty, they learned and imitated Tang Poetry in a convenient and effective way, so represented distinguishing poetic style.

중국어

中國元明兩朝詩學對“三唐”詩人宗唐詩風及其創作風貌的形成有重要影 響，“三唐”詩人接受楊士弘《唐音》、李東陽等重視聲韻的詩學主張。《唐 音》等唐詩選本和唐代詩人別集的刊印也促進了學唐風氣的接受，而且當時 的唐詩選本多選中晚唐詩，也直接影響了三人詩風的中晚唐傾向。與時代相 距不遠的中國明代前後七子相比，“三唐”詩人採取便捷有效的學唐方式，呈 現出不同的創作風貌。

목차

中文抄錄
 一、“三唐”詩人接受元明詩學的宗唐、重聲韻
 二、元明唐詩選本對“三唐”詩人創作風貌的影響
 三、“三唐”詩人與明代前後七子的不同宗唐風貌
 參考文獻
 Abstract

키워드

저자

• 張景昆 [ 장경곤 | 中國 山西大 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  열상고전연구 [Yeol-sang Journal of Classical Studies]

• 간기

  연3회

• pISSN

  1738-2734

• 수록기간

  1988~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 810 DDC 895