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토니 모리슨의 『자비』— 서술하는 주체와 관계 안의 주체
Toni Morrison’s A Mercy: the Narrating Self and the Relational Self

첫 페이지 보기
  • 발행기관
    21세기영어영문학회 바로가기
  • 간행물
    영어영문학21 KCI 등재 바로가기
  • 통권
    제28권 2호 (2015.06)바로가기
  • 페이지
    pp.89-113
  • 저자
    김미현
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A251788

원문정보

초록

영어
Toni Morrison's A Mercy is an attempt to reconfigure the prenational time of American history and to restore the interracial, interethnic, and intercultural context before its accommodation in the dominant discourses of national history. Morrison provides her vision of a communal relationship by presenting the main character's act of writing as the interlocutory scene in which she gives a narrative account of her life to the other. The main character, Florens's first-person narration can be understood as the dyadic scene of self and other as it is motivated by the desire to recognize and to be recognized by the free blacksmith, the one she is in love with. However, she is telling her story to her now estranged lover, by scratching it onto the walls of her master, Jacob Vaark's mansion. It is very unlikely for the blacksmith to visit the mansion again, and besides, he cannot read. This motif of failed address also offers an explanation of Florens's relationship with her mother, who, as a slave, chose to send Florens away not to make her a victim of the sexual abuse by her master, D'Ortega. However, Florens, at the age of eight, could not fathom her mother's intention, and remembers the separation as her mother's abandonment. The motif of failed address becomes the condition of subjecthood and relation as the wrong or incomplete message from the mother becomes a driving force for Florens's effort to interpret her experience and her search for selfhood against the social force of racism. Florens also builds the sense of self in the process of telling her life story to the blacksmith. Florens's narrative shows that the self is not fully bounded to or separate from the other, but in its vulnerability and singularity depends on the other. This point can be related to Adriana Cavarero's concept of “the narrating self.” Cavarero argues that the subject is not a solipsistic or independent entity closed upon itself but emerges in relation to the other in the conditions of address. In her view, we are beings exposed to one another in our vulnerability and singularity, and if “I” do not have “you” to address, my story becomes impossible as my singularity or uniqueness can be recognized in the interlocutory situation or in the encounter with the other, who is also unique. Morrison shows that our vulnerability as subject becomes the condition for our responsibility for each other and that the reciprocity can be a relational mode of the communities formed counter to the dominant discourses of national history.

목차

I. 개인 서사와 새로운 공동체
 II. 개인 서사: 타자에게 말 걸기
 III. 개인 서사: 외상의 기억과 해석의 노력
 IV. 서술하는 주체와 관계 안의 주체
 V. 주체와 타자의 상호 관계
 인용문헌
 Abstract

키워드

Narrating Self Relational Self Failed Message Maternal Loss Jean Laplanche Adriana Cavarero Toni Morrison A Mercy

저자

  • 김미현 [ Miehyeon Kim | 아주대학교 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    21세기영어영문학회 [The 21st Century Association of English Language and Literature]
  • 설립연도
    1967
  • 분야
    인문학>영어와문학
  • 소개
    영어영문학과 관련된 학술지의 발간, 학술발표회의 개최 및 강좌 개설, 영어영문학 관련 도서 및 자료의 출판, 해외 학술교류 등의 학술연구활동을 수행할 목적으로 설립되었다.

간행물

  • 간행물명
    영어영문학21 [English21]
  • 간기
    계간
  • pISSN
    1738-4052
  • 수록기간
    1967~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 840 DDC 820

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