Earticle

초록

영어

Confronted with the questions of why the study of Stories of Red Hanrahan still remains a relatively uncharted territory in the field and whether this overdue interest in and scholarly inattention to the stories can ever symptomatically point to a direction for a future Yeats studies to take, this article examines Yeats as a short story writer alongside the discussion of the stories. My argument here is that Red Hanrahan stands in for Yeats as a poet who is feeling his way in his own Romantic quest as a “rebel.” Such a poet is deeply rooted in the folkloric tradition but recreates himself to be “modern,” “innovative,” and “shocking” as well. It is the way in which Yeats at once masks and unmasks Red Hanrahan, not completely severed from the Irish communal folkloric tradition but figuring as a Romantic poet who emerges at a moment of national crisis with his passionate intensity and uncompromising self-sacrifice that can redeem the sterility or loss of idealism of his culture — a central theme in the writings of his final years.

한국어

예이츠연구에서소외된 레드한라한스토리 읽기를통해초기 예이츠문학 의 면모와 이후 변화 발전하는 예이츠 시학의 뿌리를 살펴본다. 레드 한라한 스토리는 단 순히아일랜드의 전승민담과 신화를바탕으로 민족주의자로서의 예이츠의 면모를 보여주기보다, 작가 개인의 창조적변용과끊임없이 변화하고 진화하는 예술적 재능을 보여주는 예라 할 수 있다.

목차

Abstract
 우리말 요약
 I. Leading Questions
 II. Yeats, a Successful Short Story Writer?
 III. (Un)Masking Red Hanrahan
 Works cited

키워드

저자

• Seongho Yoon [ 윤성호 | 한양대학교 영문과 부교수 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국 예이츠 저널 [The Yeats Journal of Korea]

• 간기

  연3회

• pISSN

  1226-4946

• 수록기간

  1991~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 841 DDC 811