Earticle

초록

영어

It is interesting that some connections can be found between literary images in Uncle Tom’s Cabin and visual images of emblem, illustration, and sculpture which are associated with angels, goddess, Jesus, and shackled male or female slaves. The visual images in which black slaves like Tom supplicate freedom or emancipation from the whites, were popularized in the early and mid-19th century, and the images strongly influenced the expansion of slave emancipation movement. Undergoing the abolitionist movement, intriguingly, the women began to realize that they were simply like white domestic slaves. Consequently, it turns out that the movement played an important bridging role in enabling the women to regain their voices in the subsequent women's rights movement. For the purpose of this study, this paper is to deal with three ways. First, a history of the slavery emblem has been briefly reviewed, and then, an investigation has been made, using visual images like emblem and illustration in Uncle Tom’s Cabin, to know how Eva is represented as a religious and abolitionist symbol and how Tom is represented as a symbol of martyr and Jesus. Finally, a study of sculptures of Hiram Power’s and Howard Roberts’ has been made to reveal the relationship between women’s anti-slavery movement and women’s emancipation movement. Broadly speaking, this study is an intertextual and interdisciplinary research to investigate how literature and visual arts are interlinked and interconnected.

목차

I. 서론
 II. 본론
  1. 엠블럼의 시작과 노예해방 운동
  2. 여신의 구원의 상징성: 에바의 이미지
  3. 사랑과 질서: 예수와 링컨의 이미지
  4. 노예해방운동과 그 반향: 새로운 여성 이미지 재현
 III. 결론
 인용문헌
 Abstract

키워드

저자

• 추재욱 [ Jae-uk Choo | Chung-Ang University ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학21 [English21]

• 간기

  계간

• pISSN

  1738-4052

• 수록기간

  1967~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 820