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소설의 장르의 형성과 헨리 필딩의 소설론
The Formation of the Novel Genre and Henry Fielding’s Theory of the Novel

첫 페이지 보기
  • 발행기관
    21세기영어영문학회 바로가기
  • 간행물
    영어영문학21 KCI 등재 바로가기
  • 통권
    제27권 4호 (2014.12)바로가기
  • 페이지
    pp.119-140
  • 저자
    배현
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A239575

원문정보

초록

영어
Henry Fielding is quite an interesting writer in that he has a systematic theory of novels and he has actively as well as openly manifested his ideas. He advocates his literary theories and principles in his short “Preface” to Joseph Andrews, throughout the 18 essays featured in Tom Jones, and via the ever-present, self-conscious voices of author-narrator in most of his novels. Ian Watt, who defines the characteristics of the new literary genre that appeared in the first half of the 18th century as “formal realism,” emphasizes the ways by which novelists depict the realistic characters and their common lives by means of the detailed and concrete manner of writing. He evaluates Daniel Defoe as first practitioner and praises Samuel Richardson's effort in taking step further; but diagnoses Fielding’s work as stepping aside. The aim of this paper is to scrutinize Fielding's theory of novels, to define his status as one of the important figures in the early development of this genre, and to clarify his purpose and intentions as a novelist. He criticizes vehemently contemporary licentious romances and tries to land his literary works a place among the classics. He calls his novels “history,” and maintains true historians should imitate nature, and its general and universal truths. Furthermore, Fielding, by means of his “epic prose” style, depicts the social milieu of his time, and parodies both the impulse of the middle class, which tries to establish a new social order, and the incapability and irresponsibility of the upper ruling class. His ultimate goal in literature can be summarized as “the exposure of vanity and hypocrisy in society, and the recommendation of the antithetical virtues—charity, chastity, and the classical ideal of life.”

목차

I. 소설의 발생 : 디포우와 리처드슨
 II. 헨리 필딩의 소설론
 III. 맺는 말
 인용문헌
 Abstract

키워드

Henry Fielding Daniel Defoe Samuel Richardson Ian Watt The Rise of the Novel formal realism Joseph Andrews Tom Jones moralist classicist

저자

  • 배현 [ Hyun Pae | Mokpo National University ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    21세기영어영문학회 [The 21st Century Association of English Language and Literature]
  • 설립연도
    1967
  • 분야
    인문학>영어와문학
  • 소개
    영어영문학과 관련된 학술지의 발간, 학술발표회의 개최 및 강좌 개설, 영어영문학 관련 도서 및 자료의 출판, 해외 학술교류 등의 학술연구활동을 수행할 목적으로 설립되었다.

간행물

  • 간행물명
    영어영문학21 [English21]
  • 간기
    계간
  • pISSN
    1738-4052
  • 수록기간
    1967~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 840 DDC 820

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