Earticle

초록

영어

Here we examine the vision and attributes of the female body as represented in modern women’s poetry, focusing on the texts of Lee Seonyoung and Heo Sugyeong. To understand these depictions and the poets’ ultimate goal, the works are read within the context of post-modern feminist Helene Cixous’ suggested framework for women’s writing. This feminine writing includes both plurality of subject and plurality of meaning, acknowledging the nature of others where it differs from our own. This kind of trend is found in the poems of Lee Seonyoung and Heo Sugyeong. The works portray a new image of women with a bisexual femininity, enabling an interpretation of women’s bodies previously ignored by the patriarchy. In Lee Seonyoung’s poems women are depicted as lifeless things and an unseen narrator speaks for them. This apparatus rebuffs the traditional phallo-centric pattern by showing a bisexual individual revealed vividly through sliding, dissolving description which allows diverse readings. Heo depicts a feminine identity, which bestows the womb to nature and acknowledges its fruit. This acceptance evokes sexuality. While the sexual union in love-making leads to the birth a child, in her poems she emphasizes the greater importance of the relationship itself. Playful language, sentence destruction, and descriptions of intimacy imply a world where each individual lives harmoniously. The poets’ writings focus on the differences of female form from male to present to us the opportunity for a society relieved of its emphasis on problematic, ego-driven, one sided male-centered values.

목차

Ⅰ. 서론
 Ⅱ. 주체 회복을 위한 여성적 글쓰기
 Ⅲ. 여성시에 나타난 ‘몸’의 상상력과 언술 특징
  1. 사물화된 몸과 해체적 언어: 이선영
  2. 포용적인 몸과 유희적 언어: 허수경
 Ⅲ. 결론
 <참고문헌>
 Abstract

키워드

저자

• 김순아 [ Kim, Soon-A | 부경대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한어문교육 [The Education of Korean Language and Literature]

• 간기

  반년간

• pISSN

  1738-3552

• 수록기간

  1993~2020

• 십진분류

  KDC 705 DDC 405