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초록

영어

The object of this thesis is to compare the motif of ‘letter’ and the visualization strategy between Iwai Shunji's novel and his film , Asada Giro's novel and Song, Hae-Sung's film . Iwai Shunji's novel and his film describe Hujii's story who failed her first love relationship, and Hiroco's story who can not be able to forget the passed away fiance. But the novel shows how Hujii and Hiroco overcome their sorrow of parting through exchanging mailed letters on an equal footing. On the other hand, the film focuses on her inner healing processes that Hujii got to know the truth of first love and affection of family. Especially, the film expresses the theme well through the cinematic technique such as montage and cross cutting. Asada Giro's novel and the film are commonly searching for a woman's unconditional love which changes a man's pitiful life. But the novel emphasizes a emotional effect of the letter which Failan' courteous and thankful letter draws flaring anger and blame for the violent reality from the protagonist Goro. On the other hand, the film equally focuses on the ruined life of Lee, Gang-Jae and the ill fate of foreign worker Failan. Also it effectively expresses the love of between the two which transcends time and space through the cinematic technique such as long take, cross cutting. In conclusion, on the one hand the film and accept the storyline and the theme of the original works, but on the other they are successfully differentiated from the original through the director's new interpretation and image grammar.

목차

I. 들어가기
 II. 과거의 소환과 존재의 호명
  1. 편지를 통한 과거의 소환 : 이와이 슌지의 소설 『러브 레터』
  2. 위악적 삶을 전복시키는 고백의 서사 : 아사다 지로의 소설 「러브레터」
 III. 영화 <러브 레터>와 영화 <파이란>의 영상 미학
  1. 편지의 영상화와 몽타주의 시학 : 영화 <러브 레터>
  2. 타락한 현실의 환기와 자기 구원 : 영화 <파이란>
 IV. 나가기
 참고문헌
 논문초록

키워드

편지 이름 부름 매체의 전환 고백의 서사 내면의 시각화 교차편집 몽타주 letter adaptation of medium narrative strategy montage cross cutting visualization the inner world narrative of confession

저자

• 구수경 [ Koo, Soo-Kyung | 건양대학교 디지털콘텐츠학과 ]

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