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에릭 로메르(Eric Rohmer)의 화법과 자막번역 - <모드 집에서의 하룻밤>을 중심으로 -
Discourses and Subtitling Films of Eric Rohmer : Focusing on My Night at Maud's

첫 페이지 보기
  • 발행기관
    한국외국어대학교 통번역연구소 바로가기
  • 간행물
    통번역학연구 KCI 등재 바로가기
  • 통권
    제18권 3호 (2014.08)바로가기
  • 페이지
    pp.425-444
  • 저자
    정구웅
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A229387

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5,500원

원문정보

초록

영어
Eric Rohmer, one of the most representative and prominent directors of the French New Wave era, has produced dozens of films during his lifetime particularly nourishing on the French literary tradition. He was most exceptional and incomparable to any other figure in exploring the relationship between dialogues (paroles) and visual images and strongly believed in the inherent power of dialogues (Rohmer, 1989:46-52). He elucidated his thoughts on the relationship between dialogues and visual images by borrowing the term ‘discourse (discours)’ from the realm of literature. Later on, Delleuze further developed these ideas into a discussion about the cinematic free indirect dialogues within Rohmer’s films. In this context, this paper aims to study the cinematic dialogues in Rohmer’s films and discuss subtitling translation in Rohmer’s own dialogue terms particularly by focusing on concrete examples found in his film My Night at Maud’s. The main purpose of proceeding with this study is to advance the general discussion about subtitle translation into a deeper level of translation study focusing on an individual author and his masterpiece (oeuvre). Furthermore, I intend to show the possibility of how subtitles can be established and created as another subject based on the relationship of the two subjects, the audio and visual image. Most importantly, it is almost impossible to anticipate translation to be successful in practice if such possibilities of a subject are hardly presumed. Subtitles are, nonetheless, still subordinate to visual images and much prejudice continues against audiovisual translation under claims that it is far incoherent compared to other genres of translation. This article therefore seeks to reexamine whether such biases are pushing the potential of subtitles out of the screen and study field by focusing chiefly on its limitations.

목차


 1. 들어가는 말
 2. 로메르의 간접화법과 자막
 3. 로메르의 영화적 자유간접화법
  3.1. 대화 상황과 자막의 형식
  3.2. 보이스오버와 자막의 거짓말
 4. 결론을 대신하며
 참고문헌

저자

  • 정구웅 [ Jung, Goo-woong. | (legina98@hanmail.net) ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국외국어대학교 통번역연구소 [Interpreting and Translation Research Institute, Hankuk University of Foreign Studies]
  • 설립연도
    1997
  • 분야
    인문학>통역번역학

간행물

  • 간행물명
    통번역학연구 [Interpreting and Translation Studies]
  • 간기
    계간
  • pISSN
    1975-6321
  • eISSN
    2713-8372
  • 수록기간
    1997~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 717 DDC 400

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