Earticle

초록

영어

This study examines the two films and based on the original novel written by Kim, Yoo-jeong. This study would be the research for the film itself as well as the opportunity for understanding the original novel through literary films. First of all, in chapter 2, this study summarizes the plot and the characters of the novels. As a typical poor lower-class, the planar characters in Kim's novels share the same social and historical funda- mental problems. They act depending on their personality against the problems of the social structure, so the problems remain in a negative situation that can not be solved. But this procedure is always drawn as a comic disturbance due to the characters’ personality. At this point, the paradoxical situation created by Kim, Yoo-jeong shows ambivalence and truth of the world. This romantic irony is the core of Kim, Yoo-jeong’s narration. In chapter 3, this study explores the multiple procedure of film adaptation to and focusing on the difference of the characters and events between the original novels and adapted films. has confrontation with the intervention of new charac- ters and events, which transform into a folk love story with intercon- nection of the love between Choonsam and Jeomsoonyi. In , it transforms into a review for the whole life rather than a piece of the life, from the procedure that connects or expands the characters of a short story. In chapter 4, this study discusses how the effects shown by the difference of viewpoint, plot and the characters' personality define the features of the films. shows the final ending that overcomes impossible love according to the hierarchical relationship. Due to this kind of plot, irony disappears and only the romantic viewpoint rules the whole text. Each event is expressed as a simple happening because the negative and heavy social structure is concealed in the whole procedure. On the other hand, reflects each aspect in reality through the characters in an expanded world. In addition, the characters suggest current social problems with thier own allegory. The allegory in returns the text to an active society and acquires the feature of socio-critical realism.

목차

1. 서론
 2. 김유정 소설의 낭만적 아이러니
  2.1 미시적 묘사로 나타난 인물의 평면성
  2.2 거시적 조망으로 나타난 회귀의 플롯구조
 3. 다원적 각색물로서 〈봄·봄〉과 〈땡볕〉
  3.1 새로운 인물의 등장과 주변인물의 활성화
  3.2 사건 진행의 유사성과 결말의 변별성
 4. 환상성과 현실성을 중심으로 재현된 각색물 양상
  4.1 환상을 통한 모순 은폐, <봄․봄>
  4.2. 착취의 알레고리를 통한 현실비판, <땡볕>
 5. 결론
 참고문헌
 Abstract

키워드

저자

• 이대범 [ Lee, Dae-beom | 강원대학교 국어국문학과 교수 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  어문논집 [The Journal of Language & Literature]

• 간기

  연3회

• pISSN

  1229-6406

• 수록기간

  1960~2015

• 십진분류

  KDC 710 DDC 492