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「슬리피 할로우의 전설」: 로맨스와 반여성적 서술전략
“The Legend of Sleepy Hollow” : Romance and Anti-Feministic Narrative Strategy

첫 페이지 보기
  • 발행기관
    대한영어영문학회 바로가기
  • 간행물
    영어영문학연구 바로가기
  • 통권
    제28권 제2호 (2002.08)바로가기
  • 페이지
    pp.79-100
  • 저자
    민경택
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A21027

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
The purpose of this article is to analyse the design of romance and the anti-feministic narrative strategy revealed in “The Legend of Sleepy Hollow.” Washington Irving reveals his conservative and anti-feministic view by satire on a romantic love through the design of Gothic romance in “The Legend of Sleepy Hollow.” First, he selects the drowsy, dreamy, and tranquil Sleepy Hollow to make Gothic mood, and then uses the ghost of a Hessian trooper, the legend of the Headless Horseman of Sleepy Hollow, to make a fantastic stage. He also enters two main characters who seem to be knights in the middle ages on the stage. One is Ichabod Crane who is a schoolmaster came to instruct the children of Sleepy Hollow. He is tall, but exceedingly lank with narrow shoulders, long arms and legs. Irving makes him a comic and anti-hero person in appearance and character. The other is Brom Van Brunt who is the hero of the country round, which rang with his feats of strength and hardihood. He is broad-shouldered and double-jointed with short curly black hair, but a rantipole hero. These two people fight each other for Katrina Van Tassel who is a blooming lass of fresh eighteen and a little coquette, famed for both her beauty and her vast expectations. In the fight for love, Ichabod is rejected by Katrina and expelled by Brom who disguised himself in the Headless Horseman. Irving, outwardly, makes only allegorically an attacks on Gothicism in “The Legend of Sleepy Hollow” through the design of Gothic romance and the comic characters. But, inwardly, he reveals his anti-feministic view through a double narrative strategy using the narrator, the third character in the story. The narrator reveals his conservative and anti-feministic view using the male discourse. He has gender anxiety and reinforces his male discourse to oppress female discourse. Irving projects his anti-feministic view indirectly through the design of Gothic romance and the narrator, his spokesman.

목차

Ⅰ.
 Ⅱ.
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 인용문헌
 Abstract

저자

  • 민경택 [ Min, Kyung-Taek | 충남대 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    대한영어영문학회 [The Association of English Language & Literature in Korea]
  • 설립연도
    1969
  • 분야
    인문학>영어와문학
  • 소개
    본 학회는 영어학 및 영문학 연구 할동과 연구 발표 및 연구 학술지를 발행하고, 교재 개발, 국제학술 교류를 통하여 대한민국의 영어영문학 발전에 기여함을 그 목적으로한다.

간행물

  • 간행물명
    영어영문학연구 [Studies on English Language & Literature]
  • 간기
    계간
  • pISSN
    1226-8682
  • 수록기간
    1972~2020
  • 십진분류
    KDC 840 DDC 820

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