Earticle

초록

영어

In the beginning of the 21th century, there were a lot of changes in the mainstream films and dramas in China, which were set in the anti-Japanese wars, compared to those in the late 20th century. The results of the analysis of “City of Life and Death” and “the Flowers of War” show that these changes were the sign of post-totalitarian culture, i.e. the mix of discourse premises and entertainment premises of mainstream types. For this reason, narratives in the films and dramas expressed under such discourse system could not overcome the control of the national consciousness. And also it could not allow the description of treason and other types of narration. This also meant the final mix of the three types of the mainstream films, experimental films, and entertainment films, which have co-existed since the late 1980s in China, and at the same time, the disappearance of establishment of new types of narration and many possibilities which had already existed.

목차

Ⅰ、引言
 Ⅱ、后极权主义时代的文化征候
 Ⅲ、极权主义时代的主流影像叙事
 Ⅳ、娱乐专制与意识形态专制的结盟
 Ⅴ、結語
 参考文献
 논문초록

키워드

저자

• 崔桓 [ 최환 | 영남대학교 중국언어문화학부 ]
• 劉春陽 [ 유춘양 | 영남대학교 중국언어문화학부 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950