Both Kim Suyoung and Beidao worked actively as the poets of the people and also modernism during the 1960’s to 80’s. And they had some things in common as both of them were born before or after the national independence, belonged to the class of intellects, and were representative poets of the people and modernism symbolizing the 1960’s to 1970’s. Not abandoning their aspects as modernists, they properly utilized metaphor, symbol, the alteration of view, or montage technique and destroyed the order of time and space to realize poems of participation in their own ways differentiated from those used by other poets to write their poems of the people. Moreover, their poems are not confined in the trend of ‘modernism’, but still show the aspects connected with reality by accepting conventional modernism creatively as well as critically. These poets who were the subjects of resistance during the 1960 to 80’s in Korea and China separately had to adopt some other way differentiated from the former. For instance, Korean poets of the people including Kim Suyoung changed from individual-oriented discourse to people-oriented discourse while Chinese resistant poets like Beidao converted from ‘the people’-oriented socialistic community discourse to individual-oriented discourse against the former. Both of them did open the first door to resistance by forming the subject in a different way from what their own national system adopted.
목차
1. 서론 2. 저항담론의 방식-주체의 대응양상 비교 3. 저항의 일상성에 대한 비교 4. 결론 참고문헌 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.