Earticle

초록

영어

This study examines how metadramatic traditions are revived in the works of Samuel Beckett and Lee Yun Taek, two modern dramatists representing English and Korean literature. Beckett's Waiting for Godot explores the fundamental role of stage, actors and audience through metadramatic features, eventually invalidating the boundary between stage and auditorium. In Citizen K and Oku, Lee Yun Taek also makes significant use of metadramatic devices such as play-within-a-play as well as co-existence of stage and auditorium. In order to gain these effects, he especially deconstructs and reconstructs gut, a traditional Korean ritual in which life and death interacts. In this respect, the two dramatists, transcending the space and time of their activities, successfully achieve the reconstruction of the inherent dramatic tradition and extend literary horizon, thus satisfying the metadramatic premise that life is a dream and that the world is a stage.

목차

I. 서론
 II. 본론
  2.1 사무엘 베켓의 메타드라마 : 『고도를 기다리며』
  2.2 이윤택의 메타드라마
 III. 결론
 인용문헌
 Abstract

키워드

저자

• 변형택 [ Hyung-taek Byun | 동아대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학21 [English21]

• 간기

  계간

• pISSN

  1738-4052

• 수록기간

  1967~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 820