Earticle

초록

영어

The Outer Layer of Turtle Ship and the Inner Side of ‘Nanjung Ilgi’ : Focused on ‘Dong-a il-bo’ and Yi Kwang-su in the summer of 1931 This study focused on the fact that recent studies that make heroes of historical figures have become overly concentrated on critical discussions based on political, ideological, and historical assessment of specific characters and thus pay little attention to the problematic points of ‘modern media, narrative, and principal agent,’ which form the mechanism of hero-making. Thus, this study attempted to empirically reveal the places surrounding the historical incident of the Yi Sun-sin hero-making campaign to draw out multiple socio-cultural and cultural meanings that lie underneath the surface. The hero-making of Yi Sun-sin, which started in 1931 with newspaper articles used as a catalyst, was possible in an era with modern newspaper media, modern novel writers, a class of readers, and a government that either overlooked or supported this phenomenon. This study focuses on media, narrative, and genre to examine how the hero-making of Yi Sun-sin became a nationwide campaign and to observe the core content of the Yi Sun-shin narrative and the course of forming the narrative method. The following presents the critical discussions that this study examined surrounding the media, narrative, and principal agent. First, the modern newspaper media integrated ‘article, literature, and campaign,’ which epitomized ‘fact (narrative), fiction (narrative), practice (project)’ respectively to lead the national hero-making movement of the historical figure. The hero-making project of Yi Sun-sin, which was carried out by Dong-a il-bo and Yi Kwang-su in the summer of 1931, plainly shows that how driving force and literary imagination of modern journalism could generate collective commitment, which was aroused among the public at the time. The newspaper stirred up public interest through the so-called extra/exclusive reporting and national donation campaigns. The characteristics of such media and genre also influenced the hero-making of the historical figure. Second, the historical approach of narratives related with Yi Sun-sin displays the method in which the character narrative is composed and spread, and depicts the dynamic relations between historical, literary, and narrative forms. Character narrative is an appropriate genre for examining the union formed between modern novels and other genres and forms. The transformation of Yi Sun-sin narratives from the biography written by Sin Chea-ho into the novel by Yi Kwang-su involved not only formative changes but also variations in content and emphasis. Free from chronological narrative, modern novels display the inner side of the agonized individual. Such characteristics magnified the feeling of loneliness and the ethical superiority of Yi Sun-sin through the general arrangement of the ‘turtle ship’ and Nanjung Ilgi. The two factors above, which were firmly established by Yi Kwang-su’s novel written from the Yi Sun-sin character narrative, are becoming the core elements of the Yi Sun-sin narrative, which is still being created in the present day. Yi Kwang-su is known as the first writer to write a modern full-length novel. Third, it is important to closely observe the character of the principal agents that supported or exercised caution regarding the narrative of Yi Sun-sin, who is the hero of the Japanese invasion of Korea in 1592. The differences in stance and practice cannot be wholly shown merely through the competition structure that dualizes the collective identity of colonial Chosun and Japan when conducting research on Japan’s colonial period. It is essential to observe different opinions regarding the Japanese invasion of Korea in 1592 and the hero-making of Yi Sun-sin between the Japanese government, the Japanese Government-General of Chosun, Japanese people in Japan, Japanese settlers in Korea, and even members within each group. This will serve as a historical reference point for reflecting on the present reality, where national hero-making is still being carried out.

일본어

コブク船(亀船)という外皮と｢乱中日記｣という内面： 1931年夏、󰡔東亜日報󰡕と李光洙を中心に 本稿は、歴史的人物の英雄化に関する最近の研究が特定人物の政治⋅思想⋅歴史的評価という批評的論議に集中したことで、英雄化のメカニズムをなしている｢近代の媒体、叙事、主体｣の問題的地点についてじゅうぶんに注目してこなかったことに着目した。したがって、李舜臣の英雄化運動という歴史的事件をめぐる現場を実証的に示すことで、その裏面にある多層的な社会文化的、文学的意味を引き出そうとした。1931年の新聞記事を触媒に、本格的に繰り広げられた李舜臣の英雄化は、近代新聞媒体と近代小説作家、読者層、そしてこれを黙認、あるいは支持した政権において可能だった。本稿では媒体、叙事、ジャンルを中心に、李舜臣の英雄化における全国民的共有、そして李舜臣叙事の核心となる内容と叙述方法が形成される経路を探った。ここには、媒体、叙事、主体をめぐる以下のような筆者の問題意識が横たわっている。第一に、近代新聞媒体は人物の英雄化を｢記事、文学、運動｣という｢事実(叙事)、虚構(叙事)、実践(事業)｣の領域に統合し、それを全国民的に主導した。1931年夏、󰡔東亜日報󰡕と李光洙を通じて繰り広げられた李舜臣の英雄化事業は、近代ジャーナリズムの推進力と文学的想像力が一般人に喚起した、集団的没入のメカニズムを端的に示している。新聞はいわゆる号外／独占報道および全国的送金運動を通じて全国民的関心を喚起しており、このように媒体およびジャンルの性格は人物の英雄化作業にも影響を及ぼした。第二に、李舜臣と関連した叙事に関する歴史的アプローチは、人物の叙事が構成⋅拡散される仕方と、歴史と文学、そして叙事様式のあいだの力動的関係をあらわにしている。人物の叙事は、近代小説がほかのジャンルおよび様式と交合し形成されたことを探るのに適切なジャンルである。申采浩の人物伝記における李光洙の小説への変貌は、単なる様式的変化だけでなく、内容と傍点の変化をも伴っていた。クロニクル的叙述からとき放たれ、苦悩する個人の内面をあぶりだした近代小説の特徴は、｢コブク船｣の全面的配置、そして｢乱中日記｣を通じた李舜臣個人の孤独感と道徳的優越を浮き彫りにすることを可能にした。最初の本格近代長編小説の作家として知られている李光洙が、李舜臣の人物叙事を小説化することで確固たるものにした前出のふたつの要素は、今日でもたゆまず創作されている李舜臣物語の核心的要素となっている。第三に、壬辰倭乱の主人公である李舜臣の叙事は、これを支持、あるいは警戒した主体たちの性格をもうすこし厳密に探ることを要請する。植民地時代を研究するとき、植民地朝鮮と日本という集団的アイデンティティを二元化した対決の構図だけでは、立場と実践の差異が完全にあらわれ得ない。日本国内、日本国民、朝鮮総督府、在朝鮮日本人のあいだで、そして各集団的主体の内部でも壬辰倭乱と李舜臣の英雄化をめぐる意見が各自の根拠と目的をもって単一に収斂されなかったことを、より細密に明らかにする必要がある。このことは、今日でも依然として、民族的英雄化の作業が持続している現実を反省する歴史的参照地点となるだろう。

목차

Ⅰ. 서론
 Ⅱ. 1931년 여름, 사건이 된 이순신
 Ⅲ. 거북선이라는 외피와 난중일기라는 내면
 Ⅳ. ‘이순신 사업’을 둘러싼 반성적 목소리
 Ⅴ. 결론
 參考文獻
 <要旨>

키워드

저자

• 김성연 [ 연세대학교 비교사회문화연구소 전문연구원, 국어국문학 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본학연구 [The Journal of Japanese Studies]

• 간기

  연3회

• pISSN

  1598-737X

• eISSN

  2465-8448

• 수록기간

  1997~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 492