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A study on the changes of political consciousness of ‘Minjokgeuk(Korean people's theatre) movement’ - Centering on 1970․80’s Madang - Play and the development process of ‘Korean people´s theatre festival Hanmadang’ Cho, Hun-seong About one generation has passed since Madang-play, a synthesis of new concepts of Yeonhi(a type of Korean performing arts) and a play was introduced and established. This study mainly discusses Minjokgeuk(Korean people's theatre) as a progressive and active play movement having direct expressions on political and social matters in a narrow sense. One of its value of Madang-play in the history of Korean plays is that it is ‘a spontaneous style of a play’, an active succession of traditional folk performing arts in deep layer, which challenged the discontinuity of tradition and portability, the general trend of Korean plays since modern times. This study deals with Madang-play from a perspective that it not only took traditional performing arts in it but also accepted underlying social and political consciousness sides of the time instead of dividing it into popular consciousness of Talchum(Korean Mask Dance Drama) or resistance rituals of Minjokgeuk as related repeatedly by several researchers. Furthermore, this study tries to show that a look into Madang-play's political consciousness in the 1970s and 1980s testifies its literary merit for 448․한어문교육 제27집 the given time as a demonstration of aspects of socio-political consciousness and its communicative role in the relation between the public and media and to explain the necessity of review on its artistic style. Meanwhile, Korean People's theatre Association has been hosting HANMADANG(Korea progressive theatre festival) annually for 24 years. This series of plays shows Madang-play is concerned about ‘popular art’ and ‘national art’. This means many of Madang-plays talk about democratic and anti-foreign consciousness in the modern history of Korean. It is often said the era of Madang-play has ended. However, it is still on developing and changing in the stream of time not staying just a relic of the past though said it receded and retrogressed. The value of Madang-play is found in its emphasis on the realization of a ‘community’ and the homogeneity and solidarity through democratic agreement by all members in this specified and individulaized modern society. This calls for careful watch on the speculation of changing aspects of Madang-play's political consciousness

목차

1. 서론
 2. 마당극 운동의 배경
 3. 1970․80년대 마당극의 정치의식 변화
  (1) 1970․80년대 마당극의 정치의식
  (2) 전국민족극한마당의 전개
 4. 결론
 <참고문헌>
 【Abstract】

키워드

마당극 탈춤 민족극 한국민족극운동협회 전국민족극한마당 Madang-play Talchum(Korean Mask Dance Drama Korean people’s theatre(Minjokgeuk) Korean people’s theatre association Korean people’s theater festival Resistance movement Restoration of traditional culture Political consciousness.

저자

• 조훈성 [ Cho, Hun-seong | 공주대학교 ]

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