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근대시와 바다 이미지
Modern Poetry and the Image of the Sea

첫 페이지 보기
  • 발행기관
    한국언어문학교육학회 바로가기
  • 간행물
    한어문교육 KCI 등재후보 바로가기
  • 통권
    제27집 (2012.11)바로가기
  • 페이지
    pp.295-320
  • 저자
    박민영
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A191378

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원문정보

초록

영어
Modern Poetry and the Image of the Sea Park, Min-young Since Chio Namsun's “From the Sea to a Boy,” which is regarded as the first modern poem in Korea, Korean modern poems have developed along with the image of the sea. The image of the sea is one of the representative images that signify a desire for modernization or a frustrated poetic ego along with nationalistic awareness at the time of the Japanese colonial reign. This study examines how the image of the sea has been applied in modern poems and how it reflects poets' self-awareness facing modernization, with a focus on the symbolism of images. The chapter 2 addresses the image of the sea that signifies “power and possibility.” To Choi Namsun, the sea means limitless power and the world of possibility boys should accept. In his poem, the sea functions as a symbol of the modern civilization boys of the new era should accept, sweeping away the relics of the old times. The chapter 3 looks at the sea as a utopia. The image of the sea along with the rising sun was made into the bright space with vitality by the Modernist poets in the 1930s. The early poems of Kim Kirim and Jung Jiyong are the examples with such images. In these poems, the sea is regarded as a wide, free and peaceful utopia or depicted as a gateway toward the wider world. It can be interpreted as a reflection of the dreams of the 320․한어문교육 제27집 elites who were studying in Japan to learn modern cultures and civilizations. However, these dreams turned into desperate depression while running into the walls of the reality, as shown in Lim Hwa's poem, “The Korean Strait.” The chapter 4 deals with the image of the sea and ‘sinking.’ The fathomless sea in Kim Kirim's “The Sea and a Butterfly” symbolizes the frustration Korean elites felt who were studying in Japan during the Japanese colonial reign. The sea in Choi Namsun's, which signified dreams and ideals, changed into the space of self-awareness full of expectation and betrayal, hope and depression, and their entailing fatigue and sorrow. Noteworthy is Seo Jeongju's Sea. He sinks himself in the scary fathomless sea to have awakening from the blindness. His sea is an abyss with boundless depth. However, by sinking himself into it, he paradoxically gains the power to rise from it.

목차

Ⅰ. 시작하는 말
 Ⅱ. 힘과 가능성의 바다
 Ⅲ. 이상향으로서 바다
 Ⅳ. 침몰의 바다
 Ⅴ. 맺는 말
 <참고문헌>
 【Abstract】

키워드

근대시 바다 이미지 최남선 정지용 김기림 임화 서정주 힘 과 가능성 이상향 침몰. modern poetry the image of the sea Choi Namsun Jung Jiyong Kim Kirim Lim Hwa Seo Jeongju power and possibility utopia sinking.

저자

  • 박민영 [ Park, Min-young | 성신여자대학교 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국언어문학교육학회 [The Institute of Education Korean Language and Literature]
  • 설립연도
    1993
  • 분야
    인문학>한국어와문학
  • 소개
    한국언어문학교육학회는 국어국문학과 국어교육 분야의 연구에 힘써 해당 분야의 학문적 발전과 민족문화 창달에 이바지함을 목적으로 한다. 또한 국어국문학 및 국어교육 분야에 대한 학술 연구 발표회를 개최하고 학회지를 발간하는 등 여러 학술적 사업을 개최하는 것을 그 주된 사업으로 하고 있다.

간행물

  • 간행물명
    한어문교육 [The Education of Korean Language and Literature]
  • 간기
    반년간
  • pISSN
    1738-3552
  • 수록기간
    1993~2020
  • 십진분류
    KDC 705 DDC 405

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