Earticle

초록

영어

Today, Buddhist sculpture is booming in Japan. The Newspaper and the magazine are focusing on various kinds of the sculptures every day. Such a boom is not a new phenomenon. Some times, we remember the Buddhist sculpture romantically or reexamine it scientifically. However, the boom of today may be a new phenomenon. The youth came to feel a Buddhist sculpture to be comical or casual. Of course it is positively. Needless to say, there are many images about Buddhist sculpture or the ways of reception of it. It would be connected with the flexible attitude of Japanese to the acceptance of Buddhist sculpture. When Buddhism was transmitted in Japan, the Japanese observed the Buddhist sculpture as exotically. And we produced various Buddhist sculptures. In fact, such a behavior which appeared in the Japanese history is resembled to the youth of today. In a sense the exotic eyes of modern people for the Buddhist sculptures are the same as the first surprise when they watched it. The Japanese Buddhism culture started from that surprise. In conclude, I would say that there is a possibility of a new development of Buddhism culture in our age.

목차

I. はじめに
 II. 仏教伝来と仏像の種類
  1. 仏像の始まりと日本への伝来
  2. 平安時代以前の仏像
 Ⅲ. 阿弥陀仏の印相の読解
  1. 阿弥陀仏とはどのような仏なのか
  2. 人間の種類を分ける印相
 Ⅳ. 阿弥陀仏の様式変化
  1. 平安時代と鎌倉時代の阿弥陀仏比較
  2. 様式変化の意味
 Ⅴ. 結論
 参考文献
 논문초록

키워드

저자

• 吉野浩司 [ YOSHINO Koji | 우송대학교 솔아시아매니지먼트대학 글로벌문화비지니스학부 일본학전공 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950