Earticle

초록

영어

The initial work as the novelist of Yang Sok-il is “Taxi frenzied uproar music”(1981). “The Canal”(1980) which is collected there is at the original form-like position in the birth of the full-length novel such as “End of the family chart”(1989), “Lullaby in the uterus”(1992), “Bone and Blood”(1998). But the work which did not attract attention so much by the shadow of the taxi driver thing and the masterpiece inventing one after another. I take up “The Canal” in this report and consider a physical sense of Yang Sok-il and a characteristic in the spatial representation. Therefore at first I pay attention to ‘canal’ as the topos of the literature of Korean resident in Japan and investigate a similarity and the difference in eyes for ‘canal’ of other writers. The literary starting point of Yang Sok-il is poetry. I analyze it through the attitude against the ‘language’ and the ‘body’ of characters how desire in his story is articulated in the process which Yang Sok-il converts into a novel language from poetic language. In addition, when it represent space called ‘canal’, I consider how to come to expression. This work is not only a literary characteristic of Yang Sok-il appear in the “The Canal,” a short story, will be in the process of understanding the theory of the body of Yang Sok-il is expressed as ‘Asian Body’ thereafter.

목차

1. 들어가며
 2. 재일문학과 ‘운하’
 3. 표현으로서의 ‘언어’와 ‘신체’
 4. ‘아시아적 신체’의 신체언어
 5. 나오며
 참고문헌
 논문초록

키워드

저자

• 소명선 [ So, Myung-Sun | 제주대학교 인문대학 일어일문학과 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950