Earticle

초록

영어

Binzume jigoku(Hell in the bottle) by Yumeno Kyusaku consisted of the three letters. The previous studies pointed out the difference between the order of placement of the letters in this novel(1-2-3) and the order of time of the letters actually written(3-2-1). However, considering the correlation between the three letters, we can see the inconsistency in any combinations. This thesis focused on the meaning of this inconsistency and also the implication of the isolated island, the background of this novel. As a result, it could be said that the change of the meaning of the island for the main character Taro (ie, Heaven to Hell) was not caused from the external factors but from the internal desires which were secretly condensed in a closed space such as an isolated island.

일본어

夢野久作の『瓶詰地獄』は三つの手紙から構成された作品である。先行研究では、作中の手紙の配置の順番(1－2－3)と実際書かれた順番(3－2－1)との間に差がある事を指摘し、それを新しく構成した。しかし、その三つの手紙の相関関係を考えると、どの順番の組み合わせにも矛盾が生じることが分かる。本稿では、この矛盾に着目しながら、孤立された島という空間的背景を中心的に考察した。その結果、主人公の島に対する意味の変化(天国から地獄へ)は外部的な影響によるものではなく、内部的に、つまり人間内面の本質的な欲望が孤立された島という閉鎖空間の中で凝縮されて現れたものであることが分かった。

목차

Ⅰ. 머리말
 Ⅱ. 편지로 드러나는 시간적·구성적 모순
 Ⅲ. 원시적 공간-안락의 섬
 Ⅳ. 변질된 공간-지옥의 섬
 Ⅴ. 맺음말
 參考文獻
 <要旨>

키워드

저자

• 이현희 [ 고려대학교 일반대학원 중일어문학과 박사수료, 일본근대문학 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본학연구 [The Journal of Japanese Studies]

• 간기

  연3회

• pISSN

  1598-737X

• eISSN

  2465-8448

• 수록기간

  1997~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 492