Is the current shift toward emphasizing teaching CREATIVE PROCESS in art education curriculum a deliberate, ideologically motivated shift away from teaching ARTISTIC PROCESS? Engaged contemporary art education practices encourage students to pursue individual and collaborative visual and cultural research agendas to explore things that are truly meaningful (or problematic) in their lives. Structuring art education curriculum on traditional and modernist conceptions of art making or on formulas for creative ideation does not give students the knowledge and skills needed to authentically investigate contemporary life. Truly creative students will deeply experience their own sense of possibility and agency. Can we together imagine art education practices in which we develop in our students the willingness and capacity to “enter into” aesthetic practices and the ability to select and shape these practices for use as experience-generating, information-generating, pleasure-generating and purpose-generating vehicles of aesthetic investigation?
목차
Abstract Is Claiming the Centrality of CREATIVITY for Art Education a Public Relations Ploy? Is Emphasizing Teaching CREATIVE PROCESS in Art Education Curriculum a Deliberate, Ideologically Motivated Shift A way from Teaching ARTISTIC PROCESS? Is the Renewed Emphasis on CREATIVITY an Attempt to Revert to an Earlier Stage in the Development of Art Education Curriculum? Can Contemporary Art Educators Develop and Implement an Art Education Practice in which Students are Encouraged to Pursue Individual and Collaborative Visual and Cultural Research Agendas through Creative Activities? Principles of Possibility Reconstructing Social Spaces Vehicles of Aesthetic Investigation References
키워드
creativityart education curriculumaesthetic practicesmeaningfulaesthetic investigationcontemporary life
저자
Olivia Gude [ University of Illinois at Chicago, USA ]
한국국제미술교육학회 [Korean Society for Education through Art]
설립연도
2000
분야
예술체육>미술
소개
한국의 미술교육학계에는 과거 일본을 통해 왜곡되어 들어온 서양의 미술교육 이론이 정설로 자리잡힌 상태에서 서양의 새로운 미술교육 이론이 혼합되는 양상이 지속되고 있다. 그래서 효율적인 실제의 개발 또한 지극히 어려운 답보 상태에 머물러 있다. 따라서 미술교육의 학문적 발전을 이룩하기 위해서는 선진 세계의 이론을 정확하게 받아들여 이를 통해 한국의 실정에 맞게 변용해야 할 것이라는 판단하에 미술교육의 학문적 발전을 도모하기 위해 InSEA(International Society for Education through Art)의 한국지회를 설립하게되었다. InSEA는 UNESCO의 협력기구로 1954년 결성되어 현재 80여개국이 참여하고 있는 범세계적인 미술교육 단체로 미국 지회인 USSEA와 캐나다 지회인 CSEA를 두고 있다.