Earticle

초록

영어

『Toji』A comparison between the original work and its adaptations - With a focus on the personality changes of female characters depicted in the films and TV dramas - Jeong, Hye-gyeong This essay will examine the changes in the female characters that occur in the film and TV drama adaptations of the epic novel "Toji," written by Park Kyung-li. This will keep in mind that the saga is fully able to communicate in the context of Asia, as well as the fact that Korean films and TV programs have become major players in the region due to the "Korean Wave." Consequently, examining the transformation of female characters in the various adaptations is not only because they reflect the realities of the times, but also because the author, main characters, and most of the viewers are women. In the case of the film adaptation in 1974, only a mere portion of it being translated into the film notwithstanding, the female character changes were influenced by the realities of that era's politics, which ultimately led to a poor execution of the project regardless of its commercial success. In spite of such problems, film adaptations of novels not only directly reveal the realities of a period, but also result in the public seeking out the original literary works. Therefore, a construction of systematic theories regarding adaptation processes is urgently required in order to lead the way to a more desirable transformation in literary awareness. Although there have been three TV drama adaptations, the one attempted in 1979 was abandoned due to problems in the material. In the case of the 1987 and 2004 adaptations, the characteristics of the times were also indeed reflected as they were in the projects. In particular, if one examines the distortion and transformation processes of the female characters, their causes are mainly due to the realities and circumstances of the respective periods, and one can see the patriarchal perception still dominating those characters even in the 2004 adaptation. Furthermore, there have been many cases of character distortion and damage to the work due to commercial purposes. However, comparative research of the female characters in different adaptations must continue if only for the creation of images formed by the spread of media, and it is the opinion of this author that one cannot ignore the possibility of their direct influence on the consciousness of female consumers.

목차

Ⅰ. 시작하는 말
 Ⅱ. 소설『토지』의 각색 과정에 나타난 여성정체성
  1. 영화 <토지>의 각색 과정과 변모된 여성
  2. 드라마 <토지>의 각색 과정과 수용자로서의 여성
 Ⅲ. 맺음말
 참고문헌
 Abstract

키워드

저자

• 정혜경 [ Jeong, Hye-gyeong | 부산대 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한어문교육 [The Education of Korean Language and Literature]

• 간기

  반년간

• pISSN

  1738-3552

• 수록기간

  1993~2020

• 십진분류

  KDC 705 DDC 405