The Postwar in Ogawa-Mimei`s Fairytale of 『MIDORIIRO NO TOKEI』 Choi, Yeon-Hee Ogawa Mimei (1882-1962) was a Japanese children's story writer who was called as ‘Anderson of Japan’ or ‘Father of Japanese children's’ literature. He increased his reputation from 1920s and left thousands of children's stories, fictions and essays in his lifetime. These days Ogawa Mimei's literary works are considered as required pieces among the Japanese children's writers. However, Korean childeren's literature was not established as a study and there were not many researches or studies about Mimei in Korea. Furthermore, Ogawa was on the coopereative side of the war and his pieces included contents which were not admittable in Korea. Meanwhile, he attained his literary movement for more than 50 years. At times his movement is devided as ‘neo-Romanticism, socialism, living era, wartime and <Postwar>children's literature era’. The thesis takes note of [MIDORIIRO NO TOKEI], Ogawa's anthology and consider its characteristic. In one of the Ogawa's story (MIDORIIRO NO TOKEI) shows the character (ozisan) which I think was Ogawa's alter ego. The thesis investigated what exactly the (ozisan) meant and compared this work to the other works of himself. In addition, the thesis includes the analysis of how Ogawa tried to express his spirit as a writer through the character (ozisan) in his lifetime.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.