‘게’(偈)의 초창기 연행형태와 성격에 대한 검토 : 『묘법연화경』을 중심으로
An Examination of the Characteristics and Entrained Phrases of Early Types in Gae(偈) : focused on Lotus Sutra(妙法蓮華經)
An Examination of the Characteristics and Entrained Phrases of Early Types in Gae(偈) - focused on Lotus Sutra](妙法蓮華經) - Park, Jeong-Ryen This study aims to review and analyse the original feature of Yeongsan-hoisang(靈山會上) in Myobub-yeonhwa-gyeong(妙法蓮華經=法華經) which described the buddhism song of Yeongchuisan. Especially, this analysis focused on the formation and the characteristics of ‘Gae’. To analyse, chapter two(II) reviewed the formation and contents of the 28 Pum(form)s, and chapter three(III) classified these ‘Gae’s into ‘Gae-song’(偈頌: recite), ‘Gae-chan’(偈讚: praise) and ‘Gae-eon’(偈言: saying) as the characteristics. ‘Gae-song’ was consisted of five sayings, which forms a short verse form with 8-24 phrases. ‘Gae-chan’ was consisted of verse form which have four or five sayings showing more short phrase pattern compared to ‘Gae-song’, and showed a chorus form singing together or solo. ‘Gae-eon’ was consisted of longer verse form compared to ‘Gae-song’ or ‘Gae-chan’ and composed of 22 forms among 28 forms in Myobub-yeonhwa-gyeong, which illustrate typical formation of Yeongchuisan-hoi-sang. In addition, this Gae-eon' showed more diverse forms of song such as solo, chorus, and bridge song, or AABA form compared to show ‘Gae-song’ or ‘Gae-chan’.
목차
Ⅰ. 서론 Ⅱ. 『묘법연화경』의 체제와 내용 Ⅲ. 『묘법연화경』에서 ‘게’(偈)의 연행형태와 특징 Ⅳ. 결론 참고문헌 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.