The distorted regionality of Busan in the films of Busan in 2000s Kwon Juria The thesis shows the main reasons of collapse of Busan as hinterland of capital area through 12 films of Busan in 2000s. These films focus on the reason of absolute determination of Busan as determinative boundary, unrecoverable unfortune place like as the poor strata, the non-possessive, the weak. The image of failure and compulsion of Busan was due to esthetic basic human kindness seen as the alternative of capitalism. The human kindness of Busan is originated from the intention of the government to use it as informal or non-capital economic source. The human kindness always comes from the imbalance between capital and power. However, as its characteristic of accepting rather than analyzing the essence of the problem, the films compulsory hide the existential agony and misfortune of life. The more problematic point is that in the circumstances of covered misfortune, the process of misfortune is used as interesting goods with emotional government. As remembered with tragical accidents, Busan is the attraction for the drowsy city life. Busan is the exceptional place of identity which is recognized only when it is equipped with unexpected shocks. In this point, two dexterous figure of ruling power, showing and hiding, are reveled through summarizing Busan as basic human kindness and shocks in films of Busan. One hand, the human kindness covers up the failure of city planning, on the other hand, it points out the misfortune excessively so exploit the city in dual ways. In the hierarchy of power, there exist only the center and the border. The place with special originality is not accepted. The locality is the fundamental and relational concept. Also it is complex phenomenological feature made from the senses of social problems and skills of communication, and inter-relation between contexts. Even though it is, the solution can not be found yet. Its reason is that city planning accept the way, and even try to seek its worth of existence through systematize it. Therefore, there is Busan place but only local place planned by ruling power. Through the thesis, it was found through 12 films of Busan that Busan is not special place but normal border called by huge capital area.
목차
Ⅰ. 머리말 Ⅱ. 인정(人情)으로 왜곡된 주변부 공간의식 Ⅲ. 고통의 상품화를 통한 왜곡된 감성과 예외적 공간 Ⅳ. 맺음말 참고문헌 논문초록
키워드
부산영화인정(人情)약탈된 정체성공간기획불행의 상품화고아의식예외적 공간지역성거대수도권Busan filmsthe human kindnesssacked identityspace planningshocks merchandisingorphan consciousapartness spacelocalityhuge capital area
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.