Earticle

초록

영어

According to Umberto Eco, there is important distinction between the semiology of communication and the semiology of signification. for instance, it means that the semiology of communication without the semiology of signification can not accomplish. However, it is impossible that the semiology of signification departed from the semiology of communication. More and more difficult to communicate, more and more increase the blank of the interpretation. When the system of signification as independent construction free from the mechanism of communication, the poetry is suddenly born like a lotus flower what rise inside the pond. from this time the drama begins with symbol and metaphor to explain about silent poetry. The poetry belongs to the text oriented toward the speaker what is the closed and unfamiliar, ambiguous thing. This essay is aimed to prove the identity of the poetry on the speaker's side by looking at the four class of the poetry include the lyric, unintelligible, meaningless, and confessional poetry represented in order the poet Kim So Wall, Lee Sang, Kim Chun Soo, Kim Soo Young. The peculiarity of poetic language makes the poetry difficult things. the poetry means one thing, simultaneously means another thing. The poetry makes special communication style through the lack of communication. It is communication tactics of the poetry that discovered in the pond of anti-communication. It is possible to classify the genre of poetry by degree of the communication tactics and the open stage of the communication. The language of the poetry is flight and jumping. Internal and mysteric tendency of the poet makes the poetry abundant. The poetry is the text limitless in its enjoyment. The poetry creates more and more mysterious symbol through internal persona. This mystery of the creative poetry makes prosperous intention to prove it. The poetry is the text mixed with centrifugal force and centripetal force. The poetry as a text of a tendency oriented-toward the speaker make possible infinite creation and it is always the open text to various or spontaneous approach for it.

목차

1. 시-의미작용의 기호학
 2. 화자지향적 텍스트로서의 시의 소통장애와 반(反)소통의 소통 전략
 3. 시 소통 방식의 다양성과 시 장르의 생성
  1) 김소월의 「山有花」와 소통의 다원성
  2) 이상의 「烏敵圖」와 소통의 삼투압
  3) 김춘수의 「나이지리아」와음악적 소통
  4) 김수영의 「거미」와 과잉 소통
 4. 시 닫힌 텍스트가 열어가는 텍스트의 무한 생성
 참고문헌
 Abstract

키워드

의미작용의 기호학 의미소통의 기호학 화자지향성 소통 장애 소통 전략 서정시 난해시 무의미시 고백시 페르소나 시점 semiology of signification the semiology of communication a tendency oriented-toward the speaker communication disorders communication tactics lyric poetry unintelligible poetry meaningless poetry confessional poetry persona a point of view

저자

• 이선영 [ Lee, Seon-young | 이화여대 ]

참고문헌

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