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미너 로이의 성과 사랑의 시
Sex and Love in Mina Loy’s Poems

첫 페이지 보기
  • 발행기관
    21세기영어영문학회 바로가기
  • 간행물
    영어영문학21 KCI 등재 바로가기
  • 통권
    제24권 4호 (2011.12)바로가기
  • 페이지
    pp.113-144
  • 저자
    장근영
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A169626

원문정보

초록

영어
This essay aims at unearthing the forgotten and lost female modernist, New Woman, Mina Loy. Her brilliant starlit remnants are literary works, paintings, drawings, and art works including “junk art” and lamp shades. Loy’s “Songs to Joannes” (1917) and “The Ineffectual Marriage” reflect her own experiences with fictional and former male lovers as well as Giovanni Papini. Certainly she is rigorously against Romantic conceptions of love, late Victorian values of gender binaries, and men’s commerce of the women so as to maintain the hom(m)o-sexual and self-same male economy. In that economy, woman has an exchange value, becomes a commodity in the market, and is consumed as a usable product between men. Rather than fixed genders or identities, I choose gender fluidity and shifting identities over times. In addition to her pornographic descriptions of love and sex, she is an adherent of contested notions of motherhood and sexuality. In “Songs to Joannes,” she interlopes the male-dominated society: otherwise “The Ineffectual Marriage” shows masculine interventions by Pound's editing and retitling. To specify institutions of marriage in Loy’s “Feminist Manifesto” (1914), I draw topics on prostitutions in America, 1900-1918. Asserting forceful destruction of virginity, Loy is vehemently opposed to commercial exchange values of virginity in relation to marriages. She relocates old binaries, angel/monster, mother/whore, and nothing/excess of feminine sexuality, telling us to demolish “the division of women into two classes the mistress, & the mother”—for Duplessis, in Loy, “maternalist thinking meets free love.” De Beauvoir and Irigaray argue that woman is not needed to have a constant, static identity. Through its transcendental and liminal states, maternity in “Parturition” (1914) becomes an apparatus to achieve the feminine, fluid, and soft self with the acceptance of the otherness.

목차

I. 달 여행안내서
 II. 전복적 시 쓰기「조애니스의 노래들」
 III. 남성중재,남성전통에 접합하는 글쓰기「비효율적 결혼」
 IV. 매매와 거래의 대상으로 몸의 거부와 타자성을 받아들이는 모성적 몸으로의 환원「페미니스트 선언」과 「출산」
 V. “나는 시인이었던 적이 없다”(Burke viii):우리가 기억해야 할 것은?
 인용문헌
 Abstract

키워드

Mina Loy “Songs to Joannes ” “The Ineffectual Marriage ” “Parturition ” modernism sexuality

저자

  • 장근영 [ Geun Young Jang | 군산대학교 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    21세기영어영문학회 [The 21st Century Association of English Language and Literature]
  • 설립연도
    1967
  • 분야
    인문학>영어와문학
  • 소개
    영어영문학과 관련된 학술지의 발간, 학술발표회의 개최 및 강좌 개설, 영어영문학 관련 도서 및 자료의 출판, 해외 학술교류 등의 학술연구활동을 수행할 목적으로 설립되었다.

간행물

  • 간행물명
    영어영문학21 [English21]
  • 간기
    계간
  • pISSN
    1738-4052
  • 수록기간
    1967~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 840 DDC 820

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