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초록

영어

Hwang, Byung-Soo. “An Exploration into Manifold Genres in The Jew of Malta.” Studies in English Language & Literature. 38.1 (2012): 163-185. Christopher Marlowe dramatizes his vision of tragedy through the unavoidable doom of Barabas’ single-minded efforts to enjoy great wealth in The Jew of Malta. He enhances the main action of his tragedy by reducing it to various absurd scenes with a bitter satire. The inconsistencies of their words and actions function as an important factor of farce, the lower form of comedy. While the self-contradictory absurdity of human efforts is quite tragic, it can be farcical. He grasps these two aspects of his characters, and dramatizes the tragic elements juxtaposed with farcical elements. By mingling the tragic and farcical elements, he shows sympathy and contempt as well as pity and fear, and maximizes their reciprocal effects. These alleviate tragic tensions as a comic relief and furthermore show the meaning of human life which is inherently absurd and farcical. As a consequence, he provides the audience with serious meaningfulness by leaving it still open to various types of genres: Machiavellian tragedy, tragedy of revenge, tragedy of irony, farcical tragedy, melodrama, tragic farce, black comedy, city comedy and so forth. (Gangneung-Wonju National University)

목차

Abstract
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키워드

저자

• 황병수 [ Hwang, Byung-Soo | 강릉원주대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [Studies on English Language & Literature]

• 간기

  계간

• pISSN

  1226-8682

• 수록기간

  1972~2020

• 십진분류

  KDC 840 DDC 820