This research describes the design characteristics in Korea, China, and Japan by investigating makeup culture and toiletries. To find unique design characteristics, the toiletries of upper class women from the late 17th to 19th centuries were compared. The research methods included both reviewing previous publications and field studies. The three countries developed their own forms, proportions, materials and surfaces. Korean toiletries could be diverse and stable in forms and proportions, because they had various shapes and lower centroid. Korean women thought the symbolic meanings significant for their daily necessities, and preferred planar painting and engraving to decorate the patterns. The materials and surfaces of Korean toiletries were practical, soft, and gave less artificial process to reveal their natural material texture. Chinese toiletries had complex forms and were tall. For the patterns, symbolic meanings were significant as Korea. The patterns were carved in three-dimensional forms. Chinese women preferred rare materials. Japanese toiletries had simple lines and were easily stackable. Japanese women often used patterns for decorative purposes instead of symbolic meanings, and the patterns were mostly decorated with planar paintings. For the materials and surfaces, the Japanese preferred wood with lacquers and luxurious materials such as gold. In summary, the design characteristics of Korean toiletries had diverse forms, flexible proportions, painted patterns with symbolic meanings, practical materials and soft surface, while those of China had a complicated structure and carved patterns. Japan had simple forms, sharp edges, and layered structure with colorful lacquers.
목차
Abstract 1. Introduction 2. Women’s life styles and adornments 2.1. Women’s social status and the aesthetic 2.2. The makeup culture in Korea, china, and japan 2.3. Place for women’s adornment 3. Design Characteristics of women’s toiletries 3.1. Types of toiletries 3.2. Forms and Proportions of the Toiletries 3.3. Symbolic Meanings and Expressions of Patterns 3.4. Materials and surfaces 3.5. Findings 4. Conclusion References
학술영역의 확대 발전에 따른 다학제적 융복합 학술연구를 통한 시대적 소명을 다함이 21세기 학회 활동의 주요한 키이워드가 되고 있다. 이에 본 학회는 21세기가 요구하는 국내외 디자인 전 분야에 관한 국제교류, 학술 연구활동, 창작활동, 대정부 정책 건의 등의 시대적 소명을 다하고 대한민국 대표 디자인학회로의 재 도약을 위해 가일층 노력하는 학술단체가 되고자 설립되었다.