Earticle

현재 위치 Home

연구논문

남도회화의 성격과 발전과정 - 허련과 허건의 인정욕구를 중심으로
A Study on Character and Development of Namdo Painting - Focusing on Desire Recognition of Heo Ryeon(許鍊) and Heo Geon(許楗)

첫 페이지 보기
  • 발행기관
    순천대학교 남도문화연구소 바로가기
  • 간행물
    남도문화연구 KCI 등재후보 바로가기
  • 통권
    제21권 (2011.12)바로가기
  • 페이지
    pp.323-349
  • 저자
    이선옥
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A167321

※ 기관로그인 시 무료 이용이 가능합니다.

6,600원

원문정보

초록

영어
This study examined the character of Namdo Painting through Sochi(小癡) Heo Ryeon and Namnong(南農) Heo Geon’s Paintings. Sochi Heo Ryeon from a southern island of Korea and Namnong Heo Geon from Mokpo gained fame as painters and created their own styles, focusing on their environment and effort to overcome it in an emotional aspect. Artists from Jindo including Heo Ryeon, his son Heo Hyeong, and his grandson Heo Geon changed their positions by overcoming cultural isolation of the island and suffering from poor reality through steady efforts. As well, they prepared a base where Namdo has become a town of traditional Namdo painting. The most important factor Heo Ryeon overcame isolation and succeeded as a painter was his persistence, but his strong need to be recognized as a literary artist was a catalyst. Heo Ryeon was ranked as one of the best painter in the 19th century, but his descendants inherited artistic talent and pain of poverty from him. They continued to work hard to be recognized as painters defeating against poverty and Heo Geon was willing to accept changes in his painting style for success. His change brought pro∼ Japanese and artistic diversity to Honam painting circle simultaneously. The vein of Namjong Literary Art starting from Heo Ryeon has been connected with Namhwa Research Center(南畵硏究院) in Mokpo led by Heo Geon and Yeonjinhoi(鍊眞會) in Gwangju led by Heo Baekryon(許百鍊). As the vein of traditional painting starting from Jindo led to Mokpo and Gwangju, it became a major painting circle, which indicates that painting of the southwest coast became a base of Namdo painting circle. That is, it has a significant meaning in that the vein was distributed from an isolated island to inland, and from the peripheral area to center.

목차

Ⅰ. 머리말
 Ⅱ. 19세기 진도와 소치 허련
  1. 19세기 진도의 문예환경
  2. 허련의 인정욕구와 남종문인화
 Ⅲ. 20세기 목포와 남농 허건
  1. 20세기 초 목포의 문예환경
  2. 허건의 인정욕구와 남도회화의 다양성
 Ⅳ. 맺음말
 참고문헌
 Abstract

저자

  • 이선옥 [ Lee, Seon-ok | 전남대학교 호남학연구원 HK교수 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    순천대학교 남도문화연구소 [The Jirisan Region Culture Research Inatitute, Sunchon National University]
  • 설립연도
    1986
  • 분야
    인문학>역사학
  • 소개
    호남지방 및 남해안 지역의 향토문화를 조사ㆍ연구함으로써 지방 문화의 계승과 발전을 도모하며 민족 문화의 창달에 이바지 하기 위하여 여러 가지 사업을 수행한다.

간행물

  • 간행물명
    남도문화연구 [The Centre for Namdo Culture]
  • 간기
    연3회
  • pISSN
    1975-826X
  • 수록기간
    1994~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 911 DDC 951

이 권호 내 다른 논문 / 남도문화연구 제21권

    피인용수 : 0(자료제공 : 네이버학술정보)

    함께 이용한 논문 이 논문을 다운로드한 분들이 이용한 다른 논문입니다.

      페이지 저장