Earticle

초록

영어

Kabuki stage and the agency of beauty which shows in an Kusasoushi Centering on - Forcusing on Sisei of Tanizaki work Gyoutarou - Gil, Mi-Hyun․Han, Yu-Seon It was considered forcusing on Tanizaki's work “tattoo” (the 2nd, number three “new thought”, 1910 and 11) and “Gyoutarou” (“Chuo Koron” 1915 and 9) how the kabuki which was being seen was reflected by his work also when Tanizaki was young by writing, how the world of beauty as a soldier showed. When paraphrasing an evil woman-like lady from kabuki, Tanizaki came to recognize “soldier” from an image of “bad old woman”. And that an evil woman-like lady does an act cruel to a man through Kabuki stood in Tanizaki's recognition and showed. Tanizaki who picked beauty out from kabuki in it with a concept as an evil woman-like woman = a devil-like woman embodied that as “soldier's beauty” in “tattoo”. It's said that Gyoutarou who is a novelist thinks it's a concept of the best beauty to embody the image of “evil woman” which shows in kabuki in babyhood and a play in a female body and be conquered by its female (soldier) conversely. Tanizaki often reflects beauty as the soldier who was formed by the agency which shows into kabuki, a play and an illustrated storybook in two works.

목차

1. はじめに
 2. 歌舞伎と草双紙に伏流している強者
  2-1.「饒太郎」における美の実体の形象化
  2-2.「刺青」における強者としての女性の造形
 3. 終わりに
 参考文献
 논문초록

키워드

저자

• 吉美顕 [ 길미현 | 우송대학교 일본학과 ]
• 韓有善 [ 한유선 | 우송대학교 일본학과 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950