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近代 文學家와 美術批評 - 「文部省美術展覧会」를 中心으로 -
Modern Writers & Art Review - Centering around 「Art Exhibition Held by Ministry of Education, Science and Culture」 -
근대 문학가와 미술비평 - 「문부성미술전람회」를 중심으로 -

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제29집 (2011.12)바로가기
  • 페이지
    pp.89-107
  • 저자
    박성희
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A164727

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
Natsume Soseki watched a public exhibition held by Ministry of Education, Science and Culture(that is also called, ‘Munjeon’) and left a review, 『Munjeon and Art』 in Taisyo 1st year(1912). It is the only art review among what he left as organized ones. With background of turbulent times, it played a guiding role in approaching to art with ironical and humorous expressions, faithful attitude toward a work, etc, and it was an important witness in art history at the same time. By the way, Lee, Kwang-Woo also released 『Tokyo Jabsin』in Mail Daily Newspaper at similar times, among which there is 「Munjeon Review」. Two writers of Korea and Japan gave the public art reviews through influential and familiar media, newspaper, with a public exhibition held by Ministry of Education, Science and Culture as a turning point. It means that writers are writing 「Record of Visiting」 from viewers' position toward a new object, art. 「Art starts from self-expression and ends at self-expression.」 leads to 「non- communication with others」, but Soseki himself came to face 「self-expression」 hung on the exhibition, extreme field. And he tailored the situation from others' point of view, in which 「selfexpression 」 is given artistic value through others' evaluation as critics or viewers, depending on the weight of the power. Also, in the case of Lee, Kwang-Soo, we need to escape from fragmentary translation, that is, colonialization of art. I could see he had great passion and knowledge and he also had accurate grasp of Japanese art community at that time. I could read he felt pity for colonized Choseon and he was blaming acutely a way to improve from the position of the same race. I could see that both Natsume Soseki and Lee, Kwang-Soo wrote their experience through art review that their pride in general cultural level of their countries was being hurt, as they faced advanced modern culture.

목차

1. 文學家와 展覽會
 2. 批評의 미디어 「新聞」
 3. 美術과 文學의 遭遇
 4. 自己認識과 他者表象
 5. 맺으며
 참고문헌
 논문초록

키워드

Art Exhibition Held by Ministry of Education Science and Culture Modern Writers Art Review newspaper Modern Culture 文部省美術展覽會 文學家 美術批評 新聞 近代文明

저자

  • 박성희 [ Park, Seong-Hee | 동의대학교 인문사회연구소 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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