The Theory of Practicing Tonality in Chinese Kim, Jeong-Pil․Kim, Chang-Gyeong This essay is mainly concerned with the characteristics of tonality in Chinese language and how to teach it effectively in Korean classroom. For this purpose, it divides Chinese tonality into two different categories, variable tonality and invariable tonality. Based on this categorization, this essay argues that variable tonality should emphasizes correctness and invariable one fluency in education. The main body of this essay is structured by three chapters. Chapter two attempts to approach theoretically to the unique features of two different tonality. Chapter three offers an explanation of why correctness should matter in variable tonality. It also describes how to put effectively the tonality mark onto syllables. Chapter four concentrates on variable tonality, discussing why fluency is essential to it. It also explains how and why tonality loses its characteristics and becomes neutral. The reality of Chinese tonality is complicate; accordingly, it never allows an easy summarization. What makes matters even complicate is the existence of types of language which do not have tonal variations. An advanced theoretical framework which emphasizes practical analysis is required to approach this types of language properly.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.