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아동문학의 옛이야기 변용 양상 연구
The Study of Adaptational Aspect of Fork Story on The Juvenile Literature
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- 발행기관
- 한국문예창작학회 바로가기
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- 간행물
- 한국문예창작 KCI 등재 바로가기
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- 통권
- 제10권 제3호 통권23호 (2011.12)바로가기
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- 페이지
- pp.61-88
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- 저자
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- 언어
- 한국어(KOR)
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- URL
- https://www.earticle.net/Article/A163565
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
원문정보
초록
- 영어
The Study of Adaptational Aspect of Fork Story on The Juvenile Literature Bae Young Soon(Dong-A Univ.) Deeply interested in the Juvenile Literature positively tries to look for novel materials, subject matters, and techniques for original fairy tales from the character features, motives, and forms of Fork Stories, this study aims at proving that Juvenile Literature can be extended not simply by revival but by adaptation. For this purpose, I have examined 26 adaptive works to investigate in what aspects their materials and subject matters are adapted. The materials that Juvenile Literature has commonly adapted include Dokkaebi, Mago Halmi, Baridegi, tigers, dragons and pythons, the 9‐tailed fox, the story of Sim Cheong, Ondal the Fool, stories of heavenly fairies, and domestic gods. Diverse and creative adaptations have been made in the adaptive works. First of all, as for the adaptation of basic materials, we have seen that there are cases where basic stories are drawn without modification, where more than one material is brought, and where Fork Stories are used as basic motives but almost new stories are created. Next, as for the adaptation of character features and supernatural powers, there are cases where the character from Fork Stories are drawn without modification, where features and supernatural powers are more broadly extended and attached than in the originals, and where features and supernatural powers are reduced. As for the adaptation of space and time, which are very closely related to event unfolding, we can divide the stories into three cases where past space and time are set, where present space and time are set, and where genuine fantasist spaces is set. When it comes to the adaptation of subject matters, the stories can be classified into cases where the subject matters of oral literature are maintained or added, where totally new subject matters are contained, and where Fork Stories are interpreted from a new perspective after the original subject matters have been destroyed and the opposite subject matters have been presented. Problems with the adaptive works include lack of understanding of basic materials first of all, for which there are many cases where the significance of drawing the materials disappears as the characteristics and values of the materials are neglected. Next, there are a considerable number of works that remain just ordinary as the modern writers cannot overcome the imagination of the writers of the Fork Stories. There are also quite a few works that make us feel that the writers’ serious reflection is missing about the creation and formation of themes that can increase the adaptive works’ literary fruits. Lastly, we can point out that the writers’ eyes and observation are unsatisfactory in discovering children from Fork Stories. The creation of Juvenile Literature that adapts Fork Stories, repositories of Korean fantasies, is expected to enrich Korean Juvenile Literature. With this study, the current author will go on to deeper study and creation by the extending the scope of the adaptation of Fork Stories.
목차
1. 서론
2. 아동문학의 옛이야기 변용
1) 기본 스토리 변용 양상
2) 캐릭터 변용 양상
3) 시공간 변용 양상
4) 주제 변용 양상
3. 변용작품의 문제점과 몇 가지 제언
1) 소재의 고유성에 대한 이해 부족
2) 아쉬운 상상력
3) 주제 형상화의 문제
4) 아동의 발견
4. 결론 - 옛이야기 변용을 통한 아동문학 도약의 전망
참고문헌
Abstract
키워드
아동문학 옛이야기 변용 판타지 아동의 발견. Juvenile Literature Fork Story adaptation fantasy discovery of children저자
간행물 정보
발행기관
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- 발행기관명
- 한국문예창작학회 [The Society of Korean Literary Writing]
- 설립연도
- 2004
- 분야
- 인문학>문학
- 소개
- 한국문예창작학회(The Society of Korean Literary Creative Writing)는 한국 문학의 새 지평을 열기 위해 문예창작 이론과 문예교육 이론을 연구 계발하여 문 예창작의 새로운 방향을 제시하고자 조직한 학술단체입니다. 전국 대학과 대학원 문예창작 관련학과의 전·현직 전임교수·겸임(초빙)교수· 강 사·대학원 재학 이상자 및 문예창작인들이 회원으로 활동하고 있습니다. 학회의 목적에 적극적으로 동의하는 문학 관련 단체나 문학창작 동호인도 준회원으로 참 여하고 있습니다. 연 2회 학회지를 발간해 학문적 기반을 닦고 있으며, 정기적으로 학술 세미나 와 해외 문학 심포지엄 등 학술 발표회를 개최하여 학문적 교류와 토론의 장을 넓히고 있습니다. 한편으로, 문예창작 캠프·문학기행 등의 창작교육 활동과 창작 학습 행사를 수 시로 진행하면서, 창작·창작이론·창작교육에 관한 활동의 범위를 넓히고 있습니다. 별도로, 문예창작 교육을 받은 문예창작학도들의 진로 개발을 위해 '문예교육지도 교사 자격 시험'도 운영하고 있습니다. The Society of Korean Literary Creative Writing is a pure academic association for the literary cretive writing, and was organized on November 11, 2001 for the purpose of presenting the new direction of literary creative writing by studying all the methods to activate and develop the theories of literary creative writing and its education. Our society is composed of professors or ex-professors, some invited professor, lecturers, graduate students of the dept. of literary creative writing as regular members, and the persons interested in our program as associative members. Our society holds an annual academic meeting-- literary symposium, literary creative writing seminar-- and publishes the journal of our society and our members' anthology of literary works. Added to these, our society has already started a new project to open the way for our literary juniors by providing them with a certificate as a leader and holding a forum for literary creative writing.
간행물
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- 간행물명
- 한국문예창작 [The Journal of Korean Literary Creative Writng]
- 간기
- 연3회
- pISSN
- 1598-9267
- 수록기간
- 2004~2026
- 등재여부
- KCI 등재
- 십진분류
- KDC 802 DDC 800
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