발렌찐 라스뿌찐 작품에 나타난 예술적 통일성 연구 - 중편 [마쪼라와의 이별], 그리고 90년대 단편들을 중심으로 -
A study of artistic unity in V.Rasputin's works - Focused on the Medium length story “Farewell with Mazora”(1974) and short stories in 1990's. -
A study of artistic unity in the V.Rasputin's works - Focused on the Medium length story “Farewell with Mazora”(1974) and short stories in 1990's. - Shim, So-Young The essence of philosophy in V.Rasputin's works are harmony between human and nature as well as human's position and role. V.Rasputin's view of the world are reflected through the circulation of the theme, the motive about "home" and the image of the heroine in his works. He did not speculate the submerged district of the farm land the loss of the home land as a mere social phenomena but thought it collapse of the philosophic and moral aspect in the sense of human's spiritual value. The human spiritual ground of the V.Rasputin's works equated with the concept of the “home”. The stereotyped image of the woman of the guardian of “home” and “memory” in the V.Rasputin's works contains in them not only the harmonic universe, the strength but also inner beauty. We can notice through the shapes of his works the deep and affection of the human. Through the these distinct features in V.Rasputin's works show us the organic relation in the circulation of his stories and finally reveal them the unification of the stories.
목차
I. 들어가는 말 Ⅱ. 본론 2.1 테마의 순환성(цикличность) 2.2. ‘집(Дом)’의 모티브 2.3. 인물체계 - 전통과 기억의 수호자로서의 여성상 Ⅲ. 맺는 말 참고문헌 논문초록
키워드
발렌찐 라스뿌찐마쪼라와의 이별예술적 통일성V.RasputinFarewell with Mazoraartictic unity
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.