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A Postcolonial Interpretation on Hsiao-Hsien Hou’s Films A City of Sadness, The Puppetmaster, Good men Good Women Ko, Hyun-Chul This paper aims to develop a postcolonial interpretation on Hsiao-Hsien Hou’s Films A City of Sadness, The Puppetmaster, Good men Good Women in terms of the concepts of postcolonialism including ‘dominat period’, ‘hegemonic period’, ‘decolonization’, ‘cultural hybridity’ and ‘ambivalence’. The results of the investigation are summarized as the following. First, the paper investigates that Hsiao-Hsien Hou’s Film The Puppetmaster is represented ‘dominat period’ of postcolonialism, Film A City of Sadness is represented ‘hegemonic period’ of postcolonialism, And, Film Good men Good Women is represented ‘dominat period’ and ‘hegemonic period’ of postcolonialism. Second, the paper also argues that Hou’s Films A City of Sadness, The Puppetmaster, Good men Good Women are the cinema of objective observation that is based on the alienation effect. Third, it investigates that Hou’s Films A City of Sadness, The Puppetmaster, Good men Good Women all apply ‘cultural hybridity’ and ‘ambivalence’, that is, the concepts of postcolonialism. Finally, it is claimd that Hou’s Films A City of Sadness, The Puppetmaster, Good men Good Women have the limit that are softly resist against the Japanese imperialism not only ‘hegemonic period’ of postcolonialism but also ‘dominat period’ of postcolonialism.

목차

Ⅰ. ‘근대사 3부작’을 해석하는 관점
 Ⅱ. ‘근대사 3부작’ <비정성시>, <희몽인생>, <호남호녀>의 탈식민주의적 분석
  1. <희몽인생>: 동화와 회유에 따라 일제에 협력한 예술가
  2. <비정성시>: 국민당의 억압적 통치에 희생된 본성인(本省人) 가족
  3. <호남호녀>: 자본주의 체제에서 되돌아본 항일인물의 이념적 희생
 Ⅲ. ‘근대사 3부작’의 탈식민주의적 해석
 참고문헌
 논문초록

키워드

<비정성시> <희몽인생> <호남호녀> 지배적 시기 헤게모니적 시기 탈식민화 문화적 혼종성 양가성 A City of Sadness The Puppetmaster Good men Good Women dominat period hegemonic period decolonization cultural hybridity ambivalence

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• 고현철 [ Ko, Hyun-Chul | 부산대학교 인문대학 ]

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